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Lonely Planet: Writer’s Block, Writer Retreats and The Importance of Dating the Right Person

Posted on November 11, 2024 Written by Pinar Tarhan

 

 

Please note that this post contains affiliate links. If you purchase through them, it’s no extra cost to you, and I make a few bucks. Which goes directly into my coffee fund.

Lonely Planet Plot Summary 

Lonely Planet starring Laura Dern and Liam Hemsworth is a fun romance movie set in Morrocco. After a recent breakup, famous writer Katherine (Laura Dern) appreciates the change in scenery, courtesy of the writers’ retreat she was invited to. But she is doing everything she can to work in peace and avoid others.

Owen (Liam Hemsworth) is a young businessman accompanying her novelist girlfriend Lily.

As Lily throws herself into socializing and partying with no regard for Owen, Owen finds himself more and more drawn to Katherine. As their friendship turns into something more magnetic and lasting, they decide to make the most of it.

*

I did my best not to give spoilers, so I might have made Owen sound like a cheating brat. But I assure you, he’s one of the most decent male leads I’ve seen in a while. He’s obviously human and flawed. He stays in a relationship far longer than he should, but the cheating brat position is firmly Lily’s (oops! Spoiler!:D).

Rest assured, you can root for Owen and Katherine with a clear conscience.

*

Now that the essential movie information is out of the way, let’s delve into some of the themes:

Writer’s Block: Getting Rid of Writer’s Block with a Change of Scenery/Environment

Katherine’s getting out of writer’s block through a scenery change (and let’s face it – finding love), is realistic. Let me digress with my own scenery-change-killed-blockage story for a bit:

When I first started writing my debut romcom novel Making A Difference (M.A.D.) (aff. link), I wasn’t sure about the format. I first tried writing a movie screenplay. Then a TV series. Finally, I decided the story was meant to be a novel. I was new to writing novels. For a while, I got stuck reading about how to write novels. Then I started writing. But words didn’t fly out of the pages until I went to a dance camp in Sweden.

I live in Istanbul. The novel is set in NYC. What about Sweden made the creative juices flow?

Istanbul resembles NYC in many ways. It’s chaotic, crowded, loud, cosmopolitan, and it never sleeps. It’s hard to adult properly. You always miss out on things…things like proper sleep, enough fun with friends, and regular exercise.

While I hate most types of exercise, I love swimming, Zumba, aerobics, and dancing. I was an intermediate-level lindy hop dancer (a form of swing dancing), and I jumped at the chance to go on a dancing retreat. You stay for a week, join workshops during the day, and dance at parties at night. Pure exhausting bliss.

Despite being in the summer, it’s around 20 degrees (68F) at most and windy. You dance in large tents, and then it’s your extremely sweaty back’s turn to face open air… Well, everyone is fighting not to catch a cold. I missed some workshops because I opted to rest in my room.  And during those obligatory rests  – I mean, you join 3-4 lindy hop workshops a day and dance at night for hours without resting and we’ll see what your body begs you to do –  I typed and typed in a file called MAD Sweden. I should also point out both my main characters lindy hop, so there’s that.

After a pure week of dancing bliss and exhaustion, I visited my friend in Norway and then came home with a first draft that made me happy. And I survived the trip without a major cold, which is another major victory on my part.

Running away from your problems isn’t recommended for the long term, but a change in pace, lifestyle, and scenery is sometimes all you need to get out of a rut and thrive. This works not just for creative people, but anyone looking to get unstuck and find a fresh perspective.

Now that I’m a bit stuck on my first draft of the third book in the A Change Would Do You Good romcom trilogy, I found myself checking out retreats and dance camps.

Back to Katherine and Lonely Planet: Dancing is one of the biggest loves of my life. So are traveling and Norway. And reuniting with old friends? The cherry on top. All this to say, I didn’t need Owen, but I’m glad Katherine found him.

Katherine and Owen have a bit of an age difference. I don’t know how old their characters are supposed to be, but during filming Hemsworth was 34 and Dern 57. The difference is (expectedly) addressed in the movie when Katherine says “I could fall for a kid like you,” and Owen is offended. Neither of them is wrong. 20+ years is a lot, and no one wants to be thought of as a kid by their crush. But it wasn’t that she saw him as immature, but was merely pointing out the obvious.

That said, I’m all for a good age-gap romance. As long as both parties are consenting adults who know what they are doing and chasing someone much younger/older isn’t a habit due to some unsolved baggage, it’s fine. You love who you love. In fact, the novel I’ll be writing finishing the A Change Would Do You Good series is an age-gap romance. Stay tuned!

I love that Owen and Katherine’s relationship is both calm and passionate. At times, Owen is more mature and grounded, which makes him even more attractive.

Romantic walks by the beach, sincere conversations that don’t turn into fights, good sex…. No wonder Katherine started writing again.

And now to the film’s only unbelievable part – major spoiler alert!: Katherine’s bag is stolen and her work with it. Get this: She has no backup! Am I supposed to believe that a novelist with a decades-long career who suffered from writer’s block for so long forgot to back up her work? Come on. I save my work as a reflex. As I was writing this sentence, I paused and sent myself an email just in case: And it’s only a thousand words. I don’t even know how many backups I have of my novels. She panics, has a fight with Owen, and just leaves. Because leaving your muse and a happy relationship is the way to solve all your problems as we all know. I’m rolling my eyes so hard right now.

Yes, in most romances you need a fight and a temporary break-up. But if this is how she handles things, maybe she should date 20-somethings. Like, seriously.

OK, I’m calm now.

Obviously, things get resolved. We get a happy ending, including a successful novel on Katherine’s part. Romance and inspiration win.

*

The Importance of Dating the Right Person

We all need someone supportive and understanding. Passion can be peaceful.

This doesn’t just help with our work, but also our health. You don’t need someone to feel happy or complete. But if you are with someone, make sure they are good for your soul.

And if you inspire each other, even better.

*

If you liked this post, check out the other Writer Characters in Fiction posts here.

How do you get out of ruts? Please let me know in the comments.

Filed Under: Fictional Writers: Writer Characters in Movies, TV Series and Books, Inspiration and Motivation, Writing

The Perfect Couple’s Novelist Protagonist and The Dangers of Marketing A Fake Brand

Posted on October 25, 2024 Written by Pinar Tarhan

Plot Summary

The Perfect Couple is an ensemble Netflix thriller/drama/mystery mini-series led by Nicole Kidman. Kidman plays Greer Garrison Winbury, a famous and prolific novelist married into the rich Winbury family. She and her husband Tag (Liev Schreiber) are seen as the perfect couple: They’ve been married 29 years and raised three children, the youngest not yet 18. Even the male protagonist in her series was inspired by Tag.

But the meticulously crafted and maintained illusion comes crashing down right before their son Benji’s wedding. When his fiancée Amelia’s best friend Meritt is found dead, the police are certain of foul play. Everyone’s a suspect, though motives aren’t always clear. Can Greer salvage her career before it’s too late?

The Dangers of Building A Career on False Premises

From this point on, I’ll include spoilers so I recommend checking out The Perfect Couple if you haven’t seen it. It’s fun to watch, and the cast’s impressive.

The problem with marketing yourself is the novelist with the perfect relationship is obvious. No relationship is perfect. But some are arguably worse than others, and Greer’s is a total shitshow. To the outsiders, she married into money. Despite their 40-million-dollar home and the kids’ upcoming trust funds, Tag’s broke. It’s Greer’s career that keeps them rich, hence her desperation to maintain the image despite the murder of a young woman.

And while Tag seems obsessed with his wife, he’s a frequent cheater whose latest affair was with the victim. This makes both Greer and Tag prime suspects. But as the show goes on, we learn that pretty much everyone has a secret, some darker than others.

This puts way too much pressure on Greer. To manage, she micro-manages everyone and no one’s happy. NDAs are signed, and secrets are kept.

How Greer Pivots Her Career by Coming Clean and Rebranding (as Her True Self)

Major spoilers ahead:

While I’m not going to name the killer, I’ll spoil the series’ even more explosive secret:

Greer’d been rejecting calls from the mysterious Broderick Graham, a man about her age. Cops believe she’s the murderer when they discover the three hundred grand she paid to him. With his ties to the Turkish mob and criminal record, surely, he’s a hitman she hired to kill her husband’s pregnant mistress. But the joke is on them: Broderick’s not his real name. Greer only paid his gambling debt because he’s her brother!

There’s more: She used to be an escort, and he found the clients. And this is how she met Tag! She comes clean to her media team, as well as her kids. She’d already announced she was done with her series. She dumps Tag, and she gives her manuscript to her son’s now ex Amelia. The book is about her after all  and she’ll publish if she approves…

***

After Greer comes clean, she’s happier. She’s free to write whatever she wants. She no longer needs to pretend or put up with crap.

Now, did she really have to in the first place? We can only speculate since Greer’s not my character but Elin Hilderbrand’s, the author of the novel (aff.link) this series was based on.

No doubt being a socialite expanded her reach and resources. It made her productivity newsworthy, and her author events more engaging. But did she have to keep at it so long? Probably not. But hey, she now has an even more interesting story: her real life.

I’d honestly watch a sequel just to see what she writes next. But then again, I’m obsessed with writer characters as I have a whole category dedicated to them on this blog. I also have a pivotal writer character (a thriller novelist) in my romcom novel Making A Difference (M.A.D.) as well as another supporting writer character – a rock music journalist.

***

Did you watch The Perfect Couple? What did you think of Greer? Who are your favorite fictional writers? Let me know in the comments!

 

 

 

Filed Under: Fictional Writers: Writer Characters in Movies, TV Series and Books, Writing Tagged With: The Perfect Couple, The Perfect Couple nicole kidman, The Perfect Couple novel, The Perfect Couple series, writer characters

The Allure of the Self-Aware Villain: One Villain Writing Tip to Keep in Mind

Posted on July 17, 2024 Written by Pinar Tarhan


I asked Leonardo.Ai to create the image of a typical action/thriller villain, and it looks quite good. Although the guy in the center looks more like a hero to me…:)

 

“All villains think they are the hero of their own story,” is a statement we hear again and again. And mostly, it’s a solid tip to keep in mind when creating your bad guy.

Most villains think they are the hero of their own story. If they thought they were the scum of the earth, it’d be hard for them to get out of the bed and chase our hero all over town.

But there is a line between thinking you are justified in (at least some of your) actions versus being completely delusional. A villain who constantly thinks he is in the right while actively harming people makes the villain look delusional.

Let me give you an example.

Suppose the villain and his girlfriend are both criminals. During a shootout with the police where they were looking to escape without killing anyone, a cop kills the girlfriend. Now, our villain is on a mission to avenge his loved one and thinks the police are the villains, even though he and his girlfriend caused this.

Still, we don’t hate him 100%. But he isn’t exactly a saint, right? And if he tries to kill the cop who killed his girlfriend, we might understand (though not condone) up to a point. But if he goes after said cop’s family and/or unrelated cops, the villain loses all sympathy and empathy from our end.

Now let’s go deeper with better examples from movies and TV series. I’ll give you two self-aware (and therefore memorable) villains, and two delusional ones.

John Wick starring Keanu Reeves, Alfie Allen, and Michael Nyqvist

Self-Aware Villain: Viggo

I love all four John Wick movies but I have the softest spot for the first one as it started the franchise. And I like the father of the villain.

In the film, John Wick (Keanu Reeves) is a retired assassin whose only joys in life are his car and the puppy his beloved late wife left him. But when Iosef (Alfie Allen), the son of his former boss Viggo (the late Michael Nyqvist, as seen in the photo above) steals his car, beats him up and kills his puppy, John is out for blood.

What gives John Wick a delightful edge over other revenge movies, in addition to what he’s avenging, is how his former boss initially reacts.

When Iosef brings the stolen car to Aurelio’s (John Leguizamo) shop, he recognizes the shop and strikes Iosef. Viggo calls him to find out why he hit his son. When Aurelio explains, Viggo hits his son too, and explains who John Wick is. Then he calls Wick and asks if bygones could be bygones.

Viggo is an unwilling villain. He is only involved because John (rightly) wants to kill his son. I mean who breaks into someone’s house, kills their puppy, beats the man severely, and steals his car? But Viggo’s son is still his son, so he sends all his men after John which leads to the death of many, many men since John’s just that lethal.

If you love action/revenge thrillers and still haven’t seen this one, don’t wait anymore.

Delusional Villain: Iosef

As I covered above, Iosef is an entitled brat. He wants John’s car and when John- who is a stranger, he decides to go full-on psycho. After all, John is just one guy and Iosef is young and he has men. Insert me laughing my butt off.

While there are stupid decisions made by Viggo, there would be no deaths and no trying to off Wick had his son not started all this.

Seven starring Brad Pitt and Morgan Freeman

Self-aware Villain: John Doe

I know that calling a serial killer self-aware is a bit weird, but if you watched Seven (aff.link), you know where I am going with this. And if you haven’t, go watch now because I’m going to spoil the whole movie.

Veteran detective Somerset (Freeman) and newbie Mills (Pitt) are after serial killer John Doe (Kevin Spacey) who chooses and kills his victims according to the seven deadly sins.  As we see one gruesome crime scene after another, we can’t help but think how delusional the killer is. After all, who is a psychotic killer to judge other people’s sins?

But as one of the movies with the most brilliant endings and twists, we realize Doe is a bit more self-aware than we thought. He kills Mills’ young pregnant wife (Gwyneth Paltrow) and delivers her head in a box to Mills. Mills, unable to control his grief-stricken rage, executes Doe. And at the end of the movie, Mills is the one handcuffed sitting at the back of a police car.

Doe knew he was going to be murdered. He wanted it. His sin was envy. He was envious of Mills’ happiness. Mills’ sin? Wrath.

I saw this movie only once when I was a teen, and I still remember it like yesterday. Great movie, but it is also scary and disgusting.

Marked Heart starring Michel Brown, Sebastián Martínez, and Ana Lucía Domínguez

Characters from left: Zacarías (the villain), Camila, Simon.

The Marked Heart is a two-season Spanish-language Netflix original series. In this soapy but highly engaging romantic thriller, we meet two couples: Zacarías (Sebastián Martínez) and Camila (Ana Lucía Domínguez); and Simon (Michel Brown) and Valeria (Margarita Muñoz). Their paths would have never crossed paths had it not been Camila’s heart condition.

When it becomes obvious Camila will die without a heart transplant, successful and rich political advisor Zacarías does the unthinkable: He enlists the services of the organ mafia. They even let him choose “the heart” personally: Valeria Duque: a healthy sax player and mother of two.

Zacarías keeps this secret from everyone. After all, he knowingly signed the death warrant of a healthy woman (and the fates of her family) who didn’t consent to any of this.

But when a grieving Simon and a recovering Camila meet by chance and a friendship blossoms, Zacarías grows increasingly paranoid and controlling. Just how much further will he go to protect his secret and keep his relationship? And what will Simon do when he finds out what exactly happened to his wife?

I find the premise quite addictive. The acting is good and the actors are attractive, but the creators/writers have done a fine job of keeping the stakes high and conflicts complicated. While we can frown a bit at how quickly Simon and Camila fall for each other – especially considering Simon was/is also very much in love with his wife. But then again, the show does question whether getting a heart transplant changes us, and if we do inherit personality and emotional characteristics from the organ donor.

Delusional Villain: Zacarías

At first, he has our sympathy. Madly in love with his wife, he is desperate for her to be cured. But the road he chooses is unforgivable. He has an innocent healthy and decent woman killed. (Not that he had the right to kill anyone, but Valeria being a good person/mother/wife makes things so much worse.) Then when his marriage starts going awry, he turns into a control freak and cheats on Camila AND has fits of rage when she starts falling for someone else. Now, for the audience, we enjoy his pain. We enjoy that his career and life are at risk. But…his constant claiming that he is the victim and the hero and the ultimate husband…. You roll your eyes so hard. It’s not “I made my bed now I have to lie in it.” “Never I deserve this on some level.” “Maybe I suck as a husband/romantic partner even without the murder part.”

Nope. He actively tries to destroy Simon and control/destroy Camila. He even goes further.

In the end, he partially redeems himself by fixing another deadly problem he creates, but we are happy he finally has the common sense to grant us that favor at least.

All I can say is Zacharias being a little greyer….with a little more remorse would have made his character less detestable.

Still, it’s a fun show.

 

***

What are some of your favorite/least favorite villains? Why? Do you prefer self-aware ones or delusional ones? Let me know in the comments.

 

 

 

 

Filed Under: Fiction Writing Tagged With: fiction writing, john wick, self-aware villains, seven movie, the marked heart, villain writing tips

How to Survive Being on Podcasts and Cameras as A Writer: 8 Tips

Posted on June 14, 2024 Written by Pinar Tarhan

It’s a truth universally acknowledged that a person listening to their own voice from a recording must cringe. I know I do. While as writers we go through phases of loving and hating our written work, having to talk to people on the record is a whole new challenge.

Some actors never watch their own performances on the screen after filming is done, and I suspect they do this to avoid hearing themselves.

Why Writers Need Podcasts and (Video) Interviews

But podcasts are here to stay. TV and video interviews are the bread and butter of writer publicity and marketing. Unless you are already famous with an established fanbase and an engaged email list of a few thousand, you can only ignore the audio and visual platforms at your own peril.

Every time I hear a marketing expert suggest we get on podcasts to talk about our writing, I find myself nodding enthusiastically. When it comes to pitching myself regularly, though, I fall behind. It is of course a cardinal sin: letting admin and writing and (some) procrastination derail your marketing efforts.

My Podcast/TV Experience

The first time I pitched myself to a podcast was for Lee Huffman’s We Travel There. My non-fiction work includes travel writing as well, so I talked about my hometown Istanbul. It was a lovely experience, and luckily video was off.

I enjoyed giving insider tips, especially about the Asian side where I live and most travel coverage concentrates on the European side of the city. And of course, I got to talk about my books as a bonus.

You might find it strange that a novelist got on a travel podcast, but as I mentioned earlier in the post I write about travel too, it made sense for me. It also makes sense if you are an authority on a place and your book is set there.

(I was also interviewed once on a podcast with camera on, and I was once filmed by a TV crew about mental health. In this article, I’m focusing on writing-related appearances.)

Even though I am used to seeing my own face on camera as I teach online, I still find it weird to see myself on the screen as part of an interview.

To get over this, I once agreed to do a TV interview here in Istanbul. They found me via LinkedIn, and I thought why not? Later, I learned that while they would interview me and broadcast it on their channel once for free, I’d have to pay if I wanted the recording. I passed. I was way too nervous, and it wouldn’t be worth the marketing investment. That said, getting in front of a real live TV crew and being interviewed by a host at a studio was a great experience. I thank them for thinking of me.

My latest appearance happened thanks to two writer friends Jon Meyers and Emily Brooks who started their own podcast: Write Better Together. It was a fun, educational and inspirational experience. You can listen to the interview here. If Spotify isn’t your gem, you can also find them on Apple and Amazon.

So let’s say you were invited to be on a podcast. How do you prepare? I’ve got you covered:

8 Tips to Prepare for a Podcast Interview

  • Listen to previous episodes to get an idea of the format, interviewing style and question types.
  • Know if the camera will be on. You might need to do some tidying up. And if you can, ensure the background includes your books and/or images of your books.
  • Know which platform you will be using.
  • Know what you will talk about and what you will say. But don’t go with a bunch of memorized stuff like a robot. Be flexible. Chances are whatever the topic is, you know what to say. You are an expert. That’s why they are having you on. 🙂
  • Know what you will say about your book. It is your book, and you know it better than anyone. But some reviewing and note-taking might be in order for an earlier book, and for the questions that stump even the veteran authors: “What’s your book about?” or “Why/Who should buy this book?” The problem isn’t that you don’t know the answer. The problem is the need to be interesting, succinct, and fun at the same time.
  • It’s okay to be nervous. Most hosts enjoy making you comfortable and understand writing is your main/preferred medium. If the host has a track of being controversial, argumentative or downright annoying their guests, just say no. But if you enjoy that sort of thing, you can take it on. Just prepare for the shocking stuff if you do.
  • Be flexible. Scheduling conflicts and changes can happen.
  • Don’t freak about potential tech problems. It can happen to anyone, and your hosts will probably help you out or do it another time.

 

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While I’m still not an expert, I’m slowly getting more comfortable. As always, I wrote this article not just to remind you but also myself: We need to market our work more consistently. And podcasts are a wonderful way to do it.

 

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Have you been on a podcast? A TV/video interview? Do you host a podcast or run a video channel yourself? Please share your experiences and links in the comments. Fellow writers and hosts will appreciate this. I know I will. ?

 

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Filed Under: Author Interviews, Marketing Tagged With: author marketing, being a podast guest, tips for being a podcast guest for writers, writer marketing

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