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Terrific Resources on How to (Re)Write Your Screenplay: Writing better scene descriptions, introducing characters & more

Posted on September 29, 2014 Written by Pinar Tarhan

Image via venturegalleries.com
Image via venturegalleries.com

 

After entering numerous contests, getting different professional feedback for the same script and editing according to what I’ve learned from studying other screenplays, screenplay writing resources and the notes from professionals, I’m a lot more confident in my editing and rewriting skills. That’s not to say I feel I’m done, far from it. But I know a lot more than when I started out.

Currently, I’m in the process of editing my screenplay for the BlueCat competition according to my reader’s notes, and I wanted to share which resources I’ve also perused for further help:

1) Not Screwing Up Characters

Bang2Write is the popular screenwriting blog run by screenwriter, blogger, script editor and teacher Lucy V Hay. She often provides funny, practical and blunt tips on how to improve your script and your screenwriting career.

I like a lot of her posts, but I chose this post in particular because you definitely wouldn’t want to disappoint your reader(s) in the characters department.

You’ve witnessed this in a lot of novels and movies, where characters keep doing out-of-character things so that the plot will move forward.

Well, consistency matters. But it is only one of your problems. You need to introduce your characters well, make their motivations count and more:

Top 5 Ways Writers Screw Up Their Characters

2) Introducing a Character

One of the ways writers screw up their characters is their introduction, as the linked article above points out. So it’s only appropriate to include the same writer’s tips on: How to Best Introduce a Character

3) Writing Good Scene Description 

One of the aspects of screenwriting I struggle with is writing great scene

descriptions. I’m not saying I’m bad; I’ve some great moments. But I find it increasingly difficult to sustain those moments in every scene. Nagging questions fill my mind, such as:

“Have I written too much?”

“Maybe I haven’t said enough?”

And guess what? It’s exactly one of the things one reader mentioned in his comments: I have included too much in certain scenes, and not enough in several others. While I keep studying other screenplays and getting better hang of it, these two articles below definitely helped:

16 Steps to Better Scene Descriptions on Script Secrets

10 Ways to Revitalize Your Scene Decription on Bang2Write

Also, John August (Go, Big Fish) offers video tutorials on his YouTube channel:

Entering a Scene

Writing Better Screen Description

Writing Better Action

Don’t forget to check out John’s blog, which is one of the most influential screenwriting blogs, for more useful tips and information.

4) Formatting Properly

Obviously, you can’t ignore standard formatting expectations. You don’t want to be overlooked just because you failed to apply some basic rules.

I don’t have to worry about this because I already use Final Draft (aff. link below), a screenwriting software that readily formats everything; I just have to choose which element (action, scene, dialogue…etc.) I’m working on.

But if you don’t own such a software, do check out Lucy V Hay’s Screenplay Format: One Stop Shop. I also recommend Chuck Sambuchino’s Formatting and Submitting Your Manuscript (aff. link below), which includes formatting guidelines for whatever manuscript you might be working on, be it a short story, novel, screenplay or article.

5) Using Feedback Effectively

OK, so you got your feedback. How do you use it? Do you accept every suggested change? Well, the answer depends on what changes were offered, and how you feel about them.

You don’t have to accept every change. After all, this is your story. I pay very close attention to suggestions to make the script read better, and to suggestions on how to improve aspects like scene descriptions, action writing and dialogue. However I’m not suddenly going to change my protagonist dramatically because one reader thought he was unlikable or hard to relate to.

Even though your readers are industry professionals, they are still human, with their own tastes. At the end of the day, you have to be proud of your story. One piece of advice most screenwriting blogs agree on is that you need to tell the story you want to tell; and not the story you think the industry expects you to tell. Because then you won’t be able tell the story the way it’s meant to be told anyway.

So pay close attention, and don’t make the changes that make it an entirely different story – unless you are comfortable with that direction.

Oh, and I should mention, that one reader’s least favorite character can be another’s favorite. I’m not generalizing; this happened to with one of protagonists. So keep that in mind as well.

Without any further ado, I present Lucy’s tips:

5 Ways To Use Feedback Effectively

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There you are: an epic collection of resources on how to make your next draft better. If you find this article useful, please spread the word. And don’t forget to share your own tips and favorite resources in the comments.

Filed Under: Fiction Writing, Recommended Resources, Writing Tagged With: how to rewrite a screenplay, rewriting a screenplay, rewriting your screenplay, screenplay character introduction, screenplay formatting, screenwriting resources, writing a better scene description, writing good action scenes

Hunting for The Right Premium WordPress Theme

Posted on September 7, 2014 Written by Pinar Tarhan

Image via ezy4uhosting.com.
Image via ezy4uhosting.com.

Premium WordPress themes come with so many advantages, and usually at about 40-75 bucks, so I decided to take my blog design to the next level and search for the perfect WordPress theme for my blog.

I looked at the usual suspects first, like Studio Press and Elegant Themes that are recommended by a lot of respectful and tasteful bloggers. I have seen many blogs that use these themes and make them look just right for their brand,

And I looked at Wpexplorer, themefuse, themeforest, and to quote a U2 song I love, I still haven’t found what I’m looking for.

Basically, I want full control over everything. I want to easily change whatever I want without knowing any sort of coding. I’d love to have a SEO-optimized theme, as well as one that comes decorated with all the important social media sharing buttons.

Problem? Either the color scheme feels wrong or the patterns don’t seem right. I tried the demos of all versions available, but none solved the key problem.

It’s kind of like being set up on a blind date by a good friend, isn’t it? You have a lot of things in common, and your friend knows what you want, but what feels right on paper doesn’t match what happens in person. Lack of chemistry and passion. Personalities not matching.

I’m all for an easily-readable, professional looking blog. I’m also sucker for full, easy control over every element. But so far, this free theme I picked (after days and days of searching all free themes, mind you) still remains a favorite.

And “a 50 dollars/month for all themes” packages don’t tempt me because I only found one theme that I might sort of want.

So have you found “the one” when it comes to themes? Any premium themes you might suggest for someone who doesn’t want white or black to dominate? Who wants neither extra-plain nor overtly colorful?

And as it’s apparent from the this theme you see, I do love the look of a writer’s desk. I like the overall look, and not just one shot of a coffee mug (and premium “coffee mugs” usually belong to restaurant-appropriate designs) or one computer (and they seem to have been developed for tech bloggers or creative agencies)?

Suggestions and personal experiences are always appreciated.

Happy writing!

And happy hunting to those who are still looking for “the one” amongst WordPress themes…

Filed Under: Blogging Tagged With: finding the best wordpress theme for your blog, searching for the best wordpress theme for your blog, wordpress themes

Review: Alexis Grant’s How to Take a Career Break to Travel

Posted on August 28, 2014 Written by Pinar Tarhan

how to take a career break to travel e-book
Image via alexisgrant.com.

 

Alexis Grant, in her own words, is an entrepreneurial writer and digital strategist with a focus on careers. She is also a writer who has practiced what she preaches – she took her travel break in 2008.

Alexis Grant’s guide is perfect for anyone who’s planning s career break to travel, but it just makes sense for those of us that are rational romantics and risk-takers. What do I mean by rational romantic?

You know who you are. You’d consider sleeping with a stranger, but you wouldn’t do it without birth control (preferably on both sides). You’d quit your job if you hate it, but after you have some savings and a sanctuary plan (like living with parents if need be) beforehand.

I’m one of those people. I take some risks with my heart, and peace of mind, every day; I’m a freelance writer who also writes fiction and is trying to get into Hollywood. There are enough uncertainties in my life to spin anyone’s head.

But I wouldn’t be the friend to offer going skydiving just because or try the foreign cuisine if I don’t know what it is in the dish that I’m eating. And I wouldn’t take a career break without having a plan.

That said, in several ways, it is easier for a freelance writer, especially an established one, to just go ahead and do it. We are our own bosses, our clients can be reached via email from most parts of the world, and we are a bit more used to the unknown.

Yet, even for a freelancer, it’s much easier to go about our free-spirited ways in our own country where we’re used to the customs, body language, health care system (despite how unsatisfactory it might be) and so on. It’s however a whole other escapade to take a career break to travel or to move to an entirely different place.

This is why I jumped at Alexis e-book: it seemed to offer exactly what I needed, and it didn’t disappoint. Here’s a breakdown of contents:

–       Part 1 starts by reminding you why you absolutely need to do this, and the differences between “scheming and planning,”

–       Part 2 destroys your 4 biggest, albeit most logical, excuses like your family obligations, not having a fat enough bank account, your job and your house.

–       Part 3 is called Planning Mode and helps you discover your options like traveling while blogging, earning from your blogging efforts, as well as other ways to make money during your traveling. It also guides you through your trip planning (like picking destinations according to your budget).

–       Part 4 deals with logistics: your potential expenses and a comprehensive to-do list including visas, luggage, footwear, your financial plan and a lot more. Just print out the whole book while you are at it. You’ll want to make notes.

–       Part 5 preps you for when you get back.

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All in all, How to Take a Career Break to Travel (aff. link) is a 94-page comprehensive and practical guide that starts with smart encouragement, and guides you through all stages of preparation for before, during and after. I recommend reading the book and keeping it as a reference even if you are planning to move to a certain location. The price is $29.

Want to read more about travel breaks? You can check out her posts here.

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– Do you own this book? Let me know in the comments how it has helped you.

– Are you planning a career break? Have you already taken yours? Please share your experiences in the comments as well.

Click here to view more details

Filed Under: Book Reviews, E-Book Reviews, Recommended Resources Tagged With: alexis grant, alexis grant how to take a career break to travel ebook review, how to take a career break to travel, how to take a career break to travel review, taking a career break, taking a career break to travel

Something’s Gotta Give – Life Is Stranger (and Funnier) Than Fiction & How Much Fiction is Your Fiction?

Posted on August 22, 2014 Written by Pinar Tarhan

Something's Gotta Give movie  poster
Image via moviepostershop.com.

Something’s Gotta Give is one of my favorite romantic comedies of all time. It’s hilarious, pretty original in a lot of places, feautures one hell of a cast (Jack Nicholson, Diane Keaton, Keanu Reeves, Frances McDormand) and its script is available online for fellow romantic comedy/drama writers. If you are looking for a movie review, or need more (spoilerless) info on the plot, please check out my review post. You can also watch the trailer for a better picture.

This post will concentrate more on the main character Erica, a playwright, and the events that inspire and fuel her latest play (so let there be many spoiers!):

Playwright Whose Real Life Becomes More Interesting Than Fiction:

Erica Barry (Diane Keaoton) is a successful and prolific playwright in her 50s. She’s divorced; her ex-husband is her director – he still directs her plays. She has a 20-something, pretty auctioneer daughter and a sassy, college professor sister (Frances Mc Dormand).

When Erica comes to her house in the Hamptons with her sister to work on her new play, the two women get a huge surprise in the form of 60-something Harry Sanborn (Jack Nicholson) – who happens to a famous businessman/bachelor –who’s dating Erin.

After the initial shock, they decide to stay together in the house, though Harry can’t wait to get out of there. After all, Erica hates his guts. But when he has a heart attack before he can have sex with her daughter, the women rush him to the hospital, and there they meet a young, polite and eye candy of a doctor named Julian (Keanu Reeves). To their shock, he turns out to be a big fan of Erica’ plays and is smitten.

Keanu Reeves, something' gotta give
Yeah, this is Julian. Image via totalfilm

 

In an ideal world, they would send Harry packing, but he’s neither willing to stay in the hospital, nor is he well enough to go back to the city. So Julian recommends Harry stays closeby, where he can check in on him. So he ends up staying with Erica despite her objections. To make things more frustrating, everybody leaves for the city too, and Erica ends up staying in the same house with Harry, all by herself.

But as she gets to know him, she realizes he’s fun, smart, and quite charming when he wants to be. Despite going on a date with Julian and having a good time, as she and Harry get close, she forgets all about Julian, eventually sleeping with, and falling for Harry.

Harry is shocked by how much he is into Erica, but he isn’t sure if it is all because of his heart attack. After all, he is used to dating much younger women.

When he gets better, he pretty much leaves things undetermined. But when Erica sees Harry on a date with a young woman, she loses it. After dealing with her, Harry has to go to hospital again, which Erica doesn’t know about.

Back in the Hamptons, she gets into a bouts of crying and writing, she finishes her play. She also starts dating Julian (the young doctor) thanks to a chance encounter with her sister Zoe.

Harry seems to be doing OK, on a date with another young woman, when he almost chokes on his food: she’s an actress auditoning for a hilarious part in a play – which is pretty much all about Harry-Erica-Merin-Zoe, just with differently named characters.

When he goes to confront Erica, she seems happy and over him. She tells him the story isn’t exactly the same, until he sees the same scene from the hospital. Aren’t there any differences? There are: in the play, Henry is called Harry. And he dies. And that’s pretty much all Erica changed. She has even used bits of dialogue exchanged between them.

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Yep, this is a romantic comedy, Harry is the male protagonist so you can guess he will eventually own up to the fact he’s head over heels with Erica and do something grand to win her back.

How Much Fiction Is Your Fiction, Really?

Many writers believe you need to live interesting and exciting lives to be able to write (well). And I mostly agree. Some of my stories were inspired while I was doing writing-worthy stuff in my life, like staying in gorgeous Santa Barbara for a month, or learning about the true potential of Public Relations from a great teacher.

And while I might not have written a certain event in my life, changed a couple of things and labeled it as fiction, I use a lot of real events in my blog posts. After all, what fun would dating blogging be if we couldn’t dis exes (while keeping names private, obviously) publicly?

In all seriousness, though, where do you, or should you draw the line? Where does your story stop being your own? Is it OK to write a play about your life, without notifiying other parties involved?

And while Harry might have deserved some humiliation, did he really deserve to die in a play about him?

Frankly, I think what Erica did to Julian was much worse than what Harry did to her. She went on a date with him, forgot all about their next date after confirming it, didn’t call to apologize, hooked up with Harry after professing her disdain of him, got back with Julian and ditched him for Harry on her birthday (OK, Julian left her saying she still loved Harry, which was the truth, but still…)So if I were Meyers, I would probably have an alternate ending or an additional scene where Julian wrote a play about Erica and killed her at the end.

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When you use things from your life in your writing, where do you draw the line?

For more writer characters, check out my Writer Characters category.

 

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Filed Under: Fictional Writers: Writer Characters in Movies, TV Series and Books Tagged With: diane keaton, frances mcdormand, jack nicholson, keanu reeves, nancy meyers, somethings gotta give cast, somethings gotta give screenplay, somethings gotta give script, something’s gotta give, something’s gotta give movie somethings gotta give movie, writer characters in films, writers in films

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