Fiction Writing Archives - Page 12 of 16

Literary Fiction vs. Genre Fiction: What Do You Write?

Posted on December 22, 2013 Written by Pinar Tarhan

A friend of mine posted this. It was just too relevant...Although I suspect the author here writes genre fiction:) — A friend of mine posted this. It was just too relevant…Although I suspect the author here writes genre fiction:)

I can unashamedly, in fact proudly, announce that I write genre fiction. I love reading it, and I sure as hell love creating it.

It shouldn’t shock anyone since I’m also a big fan of blogging. I prefer sincerity, fun and wild imaginations over…well… literary.

I’m not saying English classes in high school where we got to dissect every piece of story and poetry we came across in our so-thick-that-it-probably-hurt-our-posture-to-carry-them-around literary books didn’t fill me with some great knowledge and perspective. It did.

Some were really good, though I suspect the authors I enjoyed and/or was in awe of probably fell more into genre fiction than literary fiction (more on the distinction that’s not always so clear).

But years of obligatory analyses also prevented me from studying literature any further in college. A lot of my friends were surprised. I was one of the best English students in class: impulsively enthusiastic, hard-working and with meaningful stuff to contribute. What they didn’t always recognize is that while I’m a fan of the language and storytelling, I just don’t like when authors care more about their words than story, character, pace and feeling.

Maybe it’s a higher calling. Maybe it’s a talent you are born with, or you can practice and learn as you try. I wouldn’t know. I simply don’t have it in me.

When you say literary fiction, I instinctively think about authors who can describe a tree for 10 pages and be loved for it. This might be narrow-minded on my part, but here’s the problem: I love life. And life is finite. Any story that makes me regret every second I spend on it, and makes seconds feel like hours, is just not worth the pain.

That said, some people can successfully combine genre fiction with literary fiction. So if Jane Austen is one of those authors, maybe there’s hope for me to enjoy more literary fiction. I’m saying, if, because the lines are blurry, and her work is so much fun.

Genre Fiction vs. Literary Fiction

What prompted this post was a short story contest’s instructions. One of their few rules was that they didn’t accept genre fiction of any kind, and it got me wondering on how the hell one could/would write a story without a genre. Let’s blame it on my movie (almost all genres except too gory horror) and genre fiction (particularly legal/crime thrillers and/or romantic comedies) reading addictions. Since I wasn’t sure I could define literary fiction accurately, I dug up. Here’s some useful and to-the-point stuff I found:

According to wikipedia: “Literary fiction is a term principally used for certain fictional works that are claimed to hold literary merit.

Despite the fact that all genres have works that are well written, those works are generally not considered literary fiction. To be considered literary, a work usually must be “critically acclaimed” and “serious”. In practice, works of literary fiction often are “complex, literate, multilayered novels that wrestle with universal dilemmas”.

Brandi Reissenweber says: “A genre is a category of literature, such as mystery, suspense, science fiction or horror. Each genre has its own conventions. Romance, for example, focuses on romantic love between two people and often ends positively. Generally, genre fiction tends to place value on entertainment and, as a result, it tends to be more popular with mass audiences.

Literary fiction, on the other hand, is a bit trickier to define. In general, it emphasizes meaning over entertainment. Literary fiction also aspires toward art. Of course, that abstract of “art” is where things get most tricky. What is art? In fiction it can be defined as interesting and deep manifestations of the elements of craft: dimensional characters, a pleasing arc of tension, evocative language and thematic purpose.”

And Leigh Galbreath writes: “Genre fiction is built on structure. Literary fiction isn’t.”

So while writing literary “insert genre fiction sub-category here” is possible, it is tough, and I wouldn’t even know where to begin.

If you have authors you love that combine the two without sacrificing fun and relatability, please suggest away in the comments. I’d love to discover them.

And what about you? Which one do you like reading? Which one do you like writing? Or do you read/write both?

HOMELAND’S BRODY: When A Character Suffers Way Too Much

Posted on December 4, 2013 Written by Pinar Tarhan

As writers, we’re frequently told that our characters need to suffer. They need conflicts, challenges and flaws. They need to risk losing everything, be in danger, maybe even actually lose everything…No one wants to read or watch someone who’s good at everything and has a perfect life. Right?

And that’s solid advice, until you go overboard. I think there comes a point when the writers take a character and make him go through hell (sometimes literally, as in the case of Supernatural) and back way too many times. Sure, it’s a fantasy show where everything is possible and not even death is final. But surely when you take a guy’s mother and have her killed by a demon, have him raised by a monster hunting-obsessed father and brother, have his girlfriend killed by a demon, kill him a couple of times, kill his brother a couple of times, have him live in hell for months, go through excruciatingly painful trials, separate from the girl he loves…

I’m sure he went through more. I just stopped watching. And this is probably the luckier brother…

We watch shows where we are invested in the characters. We root for them, feel for them or at least feel strongly about one way or the other. But sometimes that character becomes a tragic caricature. This is what I call tragedy for tragedy’s sake. It doesn’t feel natural, realistic or welcome.

Many TV shows lose viewers (or viewer’s passions if not entirely their loyalty) because of this. Yes, let’s keep the stakes high, but for goodness’ sake, let’s not go overboard.

So, I want to talk about Brody, Damian Lewis’s character from Homeland. For the first two seasons I was a true addict of the show. I would sit through 4-5 episodes in a row and still want more. Then I would watch them again with a friend or family member who didn’t watch it before just so I could go through that wonderful rollercoaster again and again.

However with the third season, the fast forward button became my best friend as they put Carrie (Claire Danes) through more hospitalizations and forced Brody to be a drug addict. You know where Supernatural has hell and death, Homeland has Carrie hospitalizations and unlucky Brody, and TVD has doppelgangers…

BRODY: TO HAVE HIM SUFFER OR TO HAVE HIM SUFFER A LOT MORE?

If you have never seen Homeland, you might think I’m overreacting. What’s a little drug addiction for a character in the grand scheme of drama, right?

Let me tell (or remind) you what Brody has been though. And then you tell me if he has had enough: (P.S. Major spoilers for Homeland)

– Brody, as a young marine, left his wife and 2 young kids behind to go to war. He saw combat, and that’s in my book enough ground for trauma and PTSD to last a lifetime.

– But Brody never had the chance to get home and suffer through his PTSD in peace (yes, I’m being sarcastic.) No. He was captured with his sniper friend/fellow soldier by the enemy. He was tortured in the worst possible ways for 3 years. At one point, they forced him to kill his friend (we later learned that they only made him think this.)

Damian Lewis, Homeland season 1. Image via abcnews.go.com

– Later, the terrorist leader took Brody, messed his brain by being kind to him and having him live in his house and tutor his young boy.

– Brody, away from his family and country, taught English and football to this lovely boy who was blissfully unaware of his father’s crimes. Brody loved this boy like a son. And I guess he was even happy, up until the point where American VP and the head of CIA thought it was OK to bomb an entire school region and kill 83 kids in the name of killing the terrorist leader. He wasn’t there. Instead, his son died in front of Brody. Yeah, I know, like Brody wasn’t traumatized enough.

– Then 8 years after he was first captured, he was saved by American soldiers. He got back home, where no one was smart enough to give him a psych evaluation. Instead, he was deemed a hero, and was immediately used by the VP for political agenda.

– Brody tried to adjust to being back, feeling conflicted about becoming a “terrorist” to avenge those kids’ death by killing the VP and a group of other politicians and being a Marine.

– His wife was screwing his best friend while he was away.

– He couldn’t have sex with his own wife, even when he didn’t know about the best friend.

– His sulky teenage daughter was ready to rebel any moment, and his adaptable and nice son didn’t mind seeing the best friend as a second dad.

– He was stalked and monitored by bipolar CIA agent Carrie, who failing to obtain legal reasons to tail and watch Brody, decided to learn his intentions by getting close to him.

– There was intense chemistry there, and they did fall for each other. Yep, falling for a CIA agent who was sure he was a terrorist isn’t too complicated.

– When he learned about Carrie’s initial intentions, he was pissed. And he almost blew up the VP and the politicians as planned, but Carrie stopped him by emotionally getting to his daughter. But the confession video was already obtained by others, and his terrorist/not-dead-sniper friend wanted to kill him for chickening out. Brody talked the terrorist leader into doing things his way. And he got to kill his friend for real this time.

– He played for the Senate, and he got Carrie committed to hospital- the one person who was right about him all along, and the CIA learned about her condition. He screwed her over big time. Yeah, this guilt didn’t eventually get to him at all.

– Carrie was eventually proven right after the confession video was found by the CIA and she was recruited again. She got Brody in by having him sort of almost attack her. Then she got very honest, very emotional and got Brody to confess everything. Great episode, awesome confession session which won Emmy for Outstanding Writing. Had never agreed more with an award before. Imagine the catalysis Brody went through. I mean it. It’s one of my favorite TV episodes of all time.

Damian Lewis, Homeland Season 2, Episode Q&A — Brody, Homeland Season 2, Episode Q&A. Image via digitalsky.com.

– Of course he now became an asset for the CIA. Either he helped them, or he went to prison for life or worse. And his family would find out the vest…

– So more lying, more internal conflicts, unresolved feelings for Carrie and stress made Brody run, and Carrie got to him again. She got Brody back in more ways than one.

– The terrorist leader kidnapped Carrie and forced Brody to kill the VP. More lying to friends and family, of course. Brody killed the VP to save Carrie.

– Unknown to Brody, Quinn (Rupert Friend) was hired to eliminate him once they caught the terrorist. Thankfully he saw sense and told the director to shove it.

– After the leader was captured, Carrie and Brody discussed if they could ever be together. His past, her illness…but Brody believed they had a shot because, let’s face it, no one could be a better match for the other after everything they went through.

– And despite a pissed off mentor, Carrie picked Brody over CIA. A second chance given at everything, Brody could finally have some peace, right? Nope. CIA was bombed. Everyone thought it was Brody. It wasn’t.

– Carrie got him to the border. Great goodbye scene. Maybe they will find each other again after Carrie can prove his innocence?

Surely, Brody can’t go through more terrible ordeals during season 3. Surely, all the pressure, identity crisis, guilt, PTSD, love lost and found and more are enough…

But nope. Brody got shot and almost died. Gangsters who found him made him a drug addict. Somehow he was “saved” by the CIA. After suffering through going cold turkey and emotionally tortured by being kept away from his daughter (who happened to change her name, left school and became a motel maid – and this isn’t half of it!), he got sober.

Then Carrie convinced him to go on a covert mission for redemption (for the almost bombing way back in season 1). He got trained like a marine again.

Oh, he learned that his daughter tried to kill herself after she thought he bombed the CIA (and the confession video) and received a not-so-warm “welcome” from her. There’s the hope that maybe he can fix things with her and be with Carrie, right?

He’s on a dangerous mission. Carrie is pregnant, and he doesn’t know, and it might not be his.

I don’t want him to die after everything they put him through, but at this point, killing him will be the kindest thing they ever did to his character.

Have you had enough of Brody pain? Homeland season 3 isn’t over yet.

Now, I made my characters go through some really awful, depressing and/or deadly situations. Just I didn’t do…this much.

What do you think? Do you have a limit when it comes to a character’s suffering?

How much “hell” is too much for one character?

Essential Copyright Basics for (Fiction) Writers: 4 Things You Need to Know

Posted on November 16, 2013 Written by Pinar Tarhan

I mentioned in my previous post that I was cheating on non-fiction with fiction. And when I say I got a bit immersed in my fiction, it wasn’t just writing. A lot of time goes into research, including checking the plausibility of story events, looking into the credibility of competitions, exercising logline writing skills and more.

One of the first areas you need to be savvy about to is copyright basics and I’m happy to share my findings. If you are already familiar with these, great. If not, let’s go through the points together:

– Your created work is automatically copyrighted and it’s yours. And in theory, even the date of document on your computer can prove your ownership, should you ever have to go to court. That said, this gives me (and many other writers, I can assume) as much peace of mind as pushing the save button repeatedly on the word processor during writing.

In addition to abusing the save button, I tend to email myself copies of my updated stories as frequently as possible, keep copies on USB drives and print them out. I don’t mind the extra “work” as it helps me sleep better at night.

So copyrighting your baby for 20 or 35 bucks doesn’t seem too big a price to pay. However I do recommend copyrighting the finished work.

– Most recommended registry options are WGA and US Copyright Office. Writers Guild of America allows you to register fully developed concepts and treatments and such, in addition to manuscripts and screenplays. It’s very easy, doable online and it costs 20 bucks. It protects copyrights for 5 years, and than it’s up to you to renew it (as well as to remember when the copyright registration expires.)

– US Copyright Office protects it for your lifetime, plus several more decades so it makes more sense to shed the extra bucks. I registered my synopsis for a story with the WGA, but I’ll probably register the full script with the US Copyright Office.

– As long as your country has signed a copyright treaty with the US, your copyright is protected internationally once you register with WGA or US Copyright office. If you are planning to publish internationally, or in the States, registering here makes a lot of sense.

– It’s not OK to put your registration number or a copyright mark or anything like that on your manuscripts when you are submitting to agents, publishers and editors. It comes off as amateurish and they don’t appreciate it. They’ll have enough areas to critique you. Don’t make sure you make a negative impression from the get-go.

So this is it. I hope it was helpful. If you have any questions, fire away in the comments. And happy writing!

P.S. The title says “fiction” because I happened to be writing fiction at the time, but obviously same tips apply for non-fiction writers when it comes to their manuscripts.

Cheating on Non-Fiction with Fiction, Going AWOL on the Blog & Writers Being Sued by Celebrities

Posted on November 11, 2013 Written by Pinar Tarhan

Forgive me, readers for I’ve sinned. And it’s not my first time. I haven’t posted in a long time. I got a bit lost in competition deadlines and the frustrating efforts to write compelling loglines and synopses and researching what kinds of real life celebrity-related information can/can’t be used in fiction. I’ll get to it in a bit. Again, I apologize for my absence and I’ll try not to be a repeat offender.

Writers Being Sued by Celebrities: Scarlett Johansson Sues French Writer

How long can you go during a day without mentioning a famous person’s name? Or something they were involved in? Without referring to a favorite song or a musician?

It’s only natural conversational flow to mention the name of someone popular that you admire/dislike/respect. So it’s again natural when you mention celebrity names in your stories, given that it’s relevant.

It makes the jokes funnier, too. Some of my favorite lines from TV shows include references or topics about famous works.

Love this line form Friends, from TV show Friends:

Joey: Why do you call him Gandalf?

Ross: Gandalf, the Wizard.

(Joey stares at him blankly)

Ross: Hello, didn’t you read Lord of the Rings in high school?

Joey: No, I had sex in high school. (Season 4, Episode 9)

Omit all the celebrity mentions from the sitcom Will and Grace, and you’ll likely remain with 4 seasons instead of 8. Hell, some celebrities are so comfortable in their own skin, they play a funnier, more exaggerated versions of themselves in films and series. The Kevin Bacon episode of Will and Grace is one of my favorites:

Will: I loved you in Footloose.

Kevin Bacon: You saw that? (Season 5, Episode 2)

With Supernatural, I wouldn’t know where to start. Their banter often includes rockers and sometimes actors. Surely if Mel Gibson can handle the “He’s possessed. Think about it,” joke, it’s no big deal?

I mean no one is suing Ricky Gervais for his Golden Globes jokes, right? Or wait- maybe they don’t want to risk it because Gervais might be richer than the plaintiff?

I have book examples too, but hey I’m scared of mentioning them here. What if those actors want to pull a Scarlett Johansson and sue the authors?

In case you haven’t heard, French author Gregoire Delacourt got sued by Johansson because he described his character as looking like Scarlett. Scarlett is pissed because he didn’t ask her permission first. Oh, I’m sorry, I didn’t know there was a celebrity phone line where I could reach any celebrity of my choice and ask whether or not I could use their name in a certain fictional context.

Freaked out, I did a lot of research and found out it basically comes down to your luck, and the personality of the celebrity whose name you dropped. I’d think comparing a character’s beauty to a living person would get you a basket of muffins, if anything. Definitely not a lawsuit. You live, you learn.

So I decided to try my chance with Gerard Butler. I tweeted him, asking if he would be OK if I were to mention his name in my novel. I even managed to squeeze in my greetings and the context in 140 characters. He hasn’t gotten back to me. Yes, I really tweeted Butler. And no, I wasn’t expecting a tweet back. With all the attention from fans and his busy life, where on earth would he find the time to read my tweet and tweet me back? But from what I saw in his overall reaction to his fans and his attitude in interviews, he is a sweet guy who probably wouldn’t try to take me to court if my book got published.

How did I mention him? A famous, gorgeous actress (fictional) is assumed to have dated a lot of hot men, including Gerard Butler.

It’s not fair or logical to expect actors to lead their lives according to our expectations. We can protest all we want, but in the end, if we tried to protest every actor/celebrity for every behavior we don’t approve of, we’d be left with only a handful of actors and movies.

That said, it’s hard not to be taken aback when a celebrity goes and does something like this. And frankly, I can live without Johansson’s movies. And she doesn’t need me as a fan.

Worry not on my behalf. I never have and never will mention her in any of my stories. But I do have a movie blog where I – drum roll- review movies. Will she try to sue bloggers too? Should I take those posts down? Or as long as it is not a book, and it is real life, we’re fine?

So my dear readers and fellow writers, think twice before writing about a celebrity in your stories. And if you do have a way you use to reach celebrities to ask for their permission, do share.:)