novel writing Archives - Addicted to Writing

Launching A Travel Blog, Publishing A Novel, Project Overwhelm and Spring Fatigue

Posted on May 6, 2018 Written by Pinar Tarhan

Spring is here my fellow writing addicts! That means more sun, happiness and unfortunately extra tiredness and sleepiness. I’ve taken to eating more healthily, moving more and getting some herbal-based supplements that are supposed to boost the immune system.

In the meantime, I’ve tried to launch my travel blog and my novel as an e-book in addition to my other writerly duties such as pitching, writing, marketing, researching and so on.

I say “try to,” because launching a new blog has been a step well beyond my comfort zone. Don’t get me wrong; I love blogging. I love WordPress. I’ve been doing it for a long time now, and I believe I have gotten good at it.

But there is something stressful about starting over with a new blog, picking a theme – which I argue is one of the most frustrating things about blogging – and getting an audience to a blog you are proud to show people.

I’m still working on the design, but the first post is ready for consumption and sharing: How to Financially Survive a Trip to Oslo

And finding a theme that suits your needs, expectations and wants is no easy feat, as I wrote about it here. The fonts change, level of flexibility and options differ. Whether you are going for a free or premium theme, I wish you luck.

(This blog runs on the premium Studio Press’ Focus Pro – aff. link.)

But none of that compares to the challenge of publishing your novel. From deciding on whether you are going to work with individuals or a company, from deciding on whether you’ll format yourself or hand it over to a professional, from downright infuriating copyright laws to marketing, it is mission impossible for writers. Or it has been for this writer.

I decided to go with a self-publishing company that came highly recommended to me. And while they have had their pros, I continue to be disappointed by their after-publishing customer service. I talked about my self-publishing woes in this post.

If you try to buy my book but can’t, comment and I’ll try to find a link or a solution that works for your company.

My novel is currently only available digitally. You can check it out on Amazon (aff. link).

About the novel:

Making A Difference (M.A.D.) is a contemporary romantic comedy with some drama attached. It’s set in New York, and this is the plot summary without spoilers:

Everybody loves Jay. He’s that humanitarian PR guru who doesn’t live like the rich and runs a profitable company so that he’ll have more resources to help people. He defines himself through how much he and his company make a positive impact.

He’s engaged to a gorgeous CEO whose purse collection could feed the homeless in NYC, but he’s only human.

If anyone notices the irony, it’s Jay’s new partner Zoe. 10 years older than her, Jay is the reason she studied PR. So when Jay’s business partner/best friend takes a less pressuring position, she’s delighted to return to the firm she interned for.

But Jay and Zoe have a big secret: 5 years ago, they fell hard for each other. She was a student at NYU where Jay was a lecturer. To Jay, his legacy was everything, and he’d never risk his reputation by dating a student. Moreover, he’d die before he let Zoe ruin her career. She is furious he doesn’t take the risk for them. She leaves the country to get over him.

And now she’s happily coupled-up with lovely writer Colin.
Colin detests Jay, and he doesn’t even know the entire story. Zoe’s upset Colin’s turning into a whiny jerk, but he’s the first guy she has felt strongly for in a long time.

Jay can no longer dismiss his feelings as nostalgia, but Zoe’s still furious at him. And the last time he tried to fix things, she left the company and the country. And now that the stakes are even higher.

Will Jay be able to follow his heart even when improving the world seems easier?

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What have you been working on?

Turn-Offs in Novels: Jargon, Foreign Languages and Detailed Description of Very Minor Characters

Posted on March 2, 2014 Written by Pinar Tarhan

I’ve fallen out with a novel I had eagerly bought. I picked it out the ways I always do. I went to one of my favorite bookstores (aka a big store with a decent, varied collection and offering comfy seating and quiet to explore), took 5-10 books whose premise (and genre) I was intrigued by and read a little. I chose the one that appealed to my current reading need: a fun, fast-paced, emotional romance novel. (While I’m also a huge fan of thrillers, I’m working on a romantic/comedy/drama manuscript myself, it makes more sense to research the market – seeing what sells while getting the escapism I need.)

And it started fine enough. For the first 50/100 pages or so, it was unputdownable. I read it on the bus, on the escalators, before I went to bed… If I wasn’t working (or resting my eyes), I was reading it. Sure, there were some wordy descriptions, a few mentions in a foreign language and some jargon related to the characters’ work. It set the mood. It was sort of relevant. I didn’t mind.

But then the characters dropped their foreign language randomly in their sentences regularly. Some characters were from that foreign country so it made sense. Regrettably, it wasn’t one of the languages I sort of spoke. No, they went beyond your typical travel phrases or widely-known vocabulary. Then there was the jargon rain. It kept coming and coming.

Now, the book is aimed more at a female audience. The romantic storyline, a typical female character (I’ll get into the “typical” in my next post) and even the job (decoration-related) probably made the majority of female readers happy. But, you see, when it comes to interior design, I’m more like a guy than a girl . I don’t have an extended furniture vocabulary . Sure, I love shopping and decorating myself, but I don’t want to know the name/root/history of every single thing. So the book slowed down further. I kept giving breaks and then coming back.

The third turn-off was the detailed description of the more minor characters- characters we run into once or twice as the reader. Yes, I could picture them all vividly, but it took me off from the plots and subplots. Now, there are some things the book did very well. The woven storylines, the setting and the dialogue were pretty good. But I started rolling my eyes way too often, and the initial love and enthusiasm disappeared.

The good news is, the book breaks some rules with novel-writing advice. It’s good news, because it proves you can follow your heart, write your novel your own way and get it published. The bad news is, this book isn’t a debut. So the writer had some leeway. First-timers don’t usually have this luxury.

Now, the point is this post isn’t to critique one particular book (hence the absence of the the title and the name of the author), but to spark a discussion about using other languages, jargon, and the amount of details insignificant characters deserve. Basically, this author hasn’t killed her darlings but has given birth to them over and over and over again.

How do you feel about the use of them? How generous are you with these when it comes to your fiction? As for my musings on “typical“ female character, that’ll be in my next post, so please stay tuned. Until then, you can check out the problem with following advice in this post The Problem With Following Advice, and Writing Your Novel Your Way.

The Problem With Following Advice, and Writing Your Novel Your Way

Posted on February 1, 2014 Written by Pinar Tarhan

novel writing — Image via bang2write.com

How good are you at following advice? For me, there is no single answer to this question. It depends on where the said advice comes from (reliability), and whether or not it can match my personality traits and some very rooted habits. Meaning I won’t (and can’t) fool myself into thinking I can take the “get up early” tip of some writers, because before 9 o’clock, I’m cranky, useless, sleepy and yes, unproductive. So instead of having a staring contest with the blank sheets or screen, I get up a little later and get the most out of my awake self.

For instance, I adore John Grisham’s legal thrillers and dramas, but the fact that he got up two hours before work (as in before he headed to the law firm) while working on his first novel makes me think he is an (awesome) alien.

I’m sure you can relate. Maybe not to my sleeping habits, but to how I analyze and decide to internalize or chuck tips from successful people. I can work with “be organized”, because that’s sane advice. I might not be able to keep the tidiest house, but I will clean up the mess before I start working.

Where’s this coming from? I’ve been reading about agents and publishing since I started working on my novel, and while some of the tips make me say “Of course!”, some make me scratch my head and get a bit pessimistic. The latest collection of tips that inspired this post can be read here.

(Some of the tips I couldn’t agree more with are about “dream” starts, verbose paragraphs, laundry lists… Please refer to this post for these to make sense )

The good news is, following some viable advice, combined with a good story and hard work, can get you published. Bad news is, it might kill diversity.

I’m working on a romantic/drama comedy which will probably appeal more to women than man on the basis of its genre. Let’s assume I get published (I haven’t started pitching yet,) and a reader picked it up. Here’s what he/she won’t see:

– A main female character picking all her physical flaws and insecurities apart in several different places.

I read this sensible tip that says no one wants to read about physically perfect characters. They’re boring and/or hard to relate to. I agree.

But when I mentioned the “beauty” of my characters in this story, I referred to how other people perceived them. For instance one character is confident, playful, free-spirited and cute. She has no problem flirting with men, and this is observed by her friends. Maybe she has crooked teeth, or eyes that are too small for her face or she doesn’t like her nose much. Who cares? Her insecurities are irrelevant to her storyline, so I don’t mention them.

Or let’s take my leading male character. He’s described as handsome in a manly and outdoorsy way. He’s also smart, nice and extremely altruistic. So even before my female lead meets him, she is very intrigued. And because she finds his personality sexy too, she is drawn to him. While their chemistry dominates the scene, I don’t talk about if he is too tall or she’s too short or they’re going through a bad hair day. They might not be everybody’s type. They are certainly not perfect, whether physically or personally. No one is. But as far as their looks are concerned, they are perfect according to each other.

– First person present tense narrative from this main female character.

I love romance and comedy, and I read a lot of fiction with a female leading character, told from her perspective and in present simple. I like this type of narrative. It’s fun, captivating and quite addictive. But the problem is, as I identify with this 20-something, physically-not-perfect but-can-be- quite-alluring-with-the-right-style character who has some problems at work and her romantic life, I keep wondering what the other characters are like. I get how the lead sees them, but I never get to see what they truly think. You can show and not tell as much as you want, but you are still showing one character’s point of view.

I wanted to study from published and well-received romance novels so I could get an idea of how to tell a romantic drama/comedy using past tense, and with an omniscient narrative. I failed to find such books…There are many thrillers and dramas like this, but romantic comedies? Not really. (If you can think of some, please recommend away!)

So I fumbled through my first novel. I tried to use what worked for me as a reader, and what didn’t. I left out what bored me. I tried to produce the type of story that I’d like to read.

I’m not saying it reinvents the wheel. It doesn’t. I’m not saying it’s not unpredictable, or as catchy as the first-person narratives I’m a big fan of.

But this is the story I wanted to tell. I’m open to critiques, rewrites and notes on it. But since there are numerous authors who have been doing this so well for so long, maybe I can find an agent that will take a shot with me, because it’s a bit different.

I realize that some of the advice I don’t apply might work against me. But for the sake of this story being its own (and mine), I have to reject certain tips, and cross fingers that I made the right call.

As always, I welcome all your tips, experiences and opinions.

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To wait for inspiration? Or to chase it? That’s the question.

Posted on March 23, 2012 Written by Pinar Tarhan

Above: A writer waiting for inspiration to start writing. Image via kateevangelistarandr.blogspot.com

Some people love to chase. While I am not a big fan of chasing when it comes to dating, chasing inspiration is one of the best things you can do for yourself as a writer.

I love it when inspiration comes by itself. When I have a magical A-HA! moment. When an idea comes by itself and not when I was brainstorming, forcing my brain to fix a plot problem. When it comes unannounced, unexpected and gives me the rush to start writing it right there and then. And even if I can’t start at that moment, I am smart enough to take enough notes so that I don’t let it get away.

Except this rarely happens to me. Especially when writing fiction. An exciting, entertaining idea doesn’t just come on its own. An idea- typically an ordinary one- comes when I think about what I want to write about. I know I want this ordinary situation or character in some way, but I don’t want it to be ordinary. No, I am not contradicting myself.

OK, think about it like this. You want to write about cancer. But you don’t want to go down the old, depressive, tragic, “what-have-I-done-to-deserve-this route”. Or the “I’m-already-dead-might-as-well-go-all-self-destructive route”.

Instead, your character decides to make the most of her life right there and then. She finds out humorous, practical and innovative ways to deal with her son and husband. She doesn’t care that much about saving money any more. She buys a red convertible – which will go to her son after he reaches a certain age. See how she lived for the moment, without screwing up anyone’s future? She also has workers build the swimming pool she always wanted. Impulsive? Yes. Irrational? No. If anything, this will increase the value of the house.

Did the plot sound familiar? Well, it is the plot of the comedy/drama show The Big C starring Laura Linney. Before watching it, I remember thinking “Humor in cancer? Right. Like that could happen!” But it has, and the show turned out to be really good and unique.

Isn’t this more interesting than typical ways of grieving?

This happens to me a lot. I respond to my ideas by changing the core of the story, changing the sex of the main character, shaking stereotypes, or adding some unexpected traits to the archetype. Victoria Connelly did a wonderful example of this by creating a writer character in her book “A Weekend with Mr. Darcy”.

In the book, the main character is Lorna Warwick – a modern day, famous author of best-selling Jane Austen style novels. But of course Lorna is the pen name and the writer is actually a guy. And he is not gay or a nerd. He is a masculine, heterosexual, sexy guy who hides behind the persona – and does adrenaline-inducing outdoor activities with his friends while he is not writing. And best of all…his interest in Jane Austen, and his novels, is genuine.

A Weekend with Mr. Darcy may not be the best book ever-created but I really liked the male protagonist being a guy’s guy and loving Jane Austen, and her characters, as much as the next gal. And guess what? Connelly has been published many times.

Where did the inspiration for this article come from? It came while I was reading this Writer’s Digest article about how not to write a novel, and one of the best ways to do it was to wait for inspiration. I am trying to write a novel and yet after all this time creating stories, I still tend to make the mistake of waiting for inspiration. The article stroke a chord and I wrote about it.

So an article about writing inspiration came when I was studying writing (so I could write my novel better and I could get to know the magazine enough to pitch great queries.) Not when I was doing something totally unrelated, or not doing anything at all.

While inspiration might occasionally do the favor of dropping by out of thin air, it mostly loves to be chased with vengeance. So you can just start writing about anything in anyway…and spice things up later.

If there is something that bothers me than writing something ordinary…it is not writing at all. The name of this blog is not a coincidence. I truly am addicted to writing. And while ordinary can be changed into extraordinary through trial and error, extraordinary isn’t born from nothing.