novel writing Archives - Page 2 of 2

Novel Writing Challenges Get Crazier: From 30 Days to 3 Days!

Posted on March 3, 2012 Written by Pinar Tarhan

writer-computer-book-coffee — Image via institutechildrenslit.net.

How fast can you churn out a decent novel? 3 years? 3 months?

While I was hunting for a good resource on writing a good page-turner that would satisfy me and land me an agent (and later hopefully a publisher), I thought Writer’s Digest’s 90 Days to Your Novel was reasonable enough.

The book tells you everything you need to know from the beginning to outlining to writing dialogue. And while I didn’t finish my book in 90 days (it is on me though – I also love to maintain a part-time career in teaching, as well as a career in non-fiction), I learned a lot from that book.

Then of course if you are ready to dedicate a really good portion of your available time, I do believe that even the NaNoWriMo (National Novel Writing Month) is not a far-fetched concept, especially if you do have a certain grasp of your main events and characters before starting. A novel- at least a reasonable first draft- can probably be written in 30 days. And a goal of 30 days, whether you officially join other writers in a contest or just set it for yourself, is a great and productivity-fueling idea.

But while I was reading an article on the Funds for Writers newsletter and saw the term 3-Day novelist, I thought it was a typo. A novel? In 3 days? Right…But then I read on to find out how the writer had used fundraising for her book and her proposed budget was $120….So I hit google.

Sure enough there it was: 3-Day Novel Contest. OK, to be fair, the novel is going to be about 100 pages but 3-Days? Seriously?

But short(ish) or not, I don’t honestly see myself sitting through one weekend and being able to finish a novel. But it is a challenge like I have never seen before. And if you win, your prize is getting published. But there is an entrance fee, and you must be ready for a true marathon.

Have you ever joined the NaNoWriMo? Or the 3-Day Novel Contest?
Did you assign yourself a certain amount of time to finish your novel and stick to it?
What do you think is the most probable amount of time for producing a satisfactory novel, or its favorite cousin: the holy first draft?

I would love to learn about your experiences and insights.

Balancing Showing and Telling in Writing & Why “Show, Don’t Tell” Can Be Easier in Screenplays than in Novels

Posted on December 10, 2011 Written by Pinar Tarhan

Writing a novel is like a novel — Novel writing is indeed tricky. Image via 1.bp.blogspot.com

“Show, don’t tell” is a great advice. You-as the writer-need to make the readers see, feel, smell, touch…You want them to understand the characters and be immersed in the story without spelling everything out them. You want to them to see that your character is smart by the things he does or says. You don’t just tell them he is so smart. Or you might, but you also prove your point by showing that he is smart.

“But Show, Don’t Tell” is easier said than done, especially when it comes to writing novels. I can’t tell you how many novels I put down because they tried to tell me a million things, while also showing them to me. And ideally, no matter what kind of writing that you do, you have to balance the two.

There are many screenplays that just tell. Remember the movies where characters talk all the time, and never actually move their butts to take action about anything? The movies that bore you to death? Yeah- the screenwriters just told things, and the director went with it.

But with fun screenplays, the writers do a good job of balancing what to tell and show. But of course the screenplays are written for the screen, and everything will be shown by the actors. If they want to show the progress of a romance, they put on a good song and show us what the actors do together instead of giving us dialogue.

And this is exactly what I do when I write a screenplay. Sure, I sweat over lines and details, but sometimes it is more effective to choose the song with the right lyrics and let the reader/viewer get the message. But I can’t take advantage of music when I’m writing the novel. Well, I can- to motivate myself. But I can’t give my audience a soundtrack to go with it (although that would be pretty neat). I need to sweat over the thoughts, setting, and scenes- all the time. There’s no shortcut. This is a pretty hard thing to do.

Yes, I watch a lot of movies and pay attention to a lot of scenes. I also analyze novels on how much and how they showed and told. I keep my fingers crossed, and keep working on my first draft where I try to entertain, engage and make readers feel. But it is a tough road. Wish me luck.

How about you? Do you write fiction? Do you have problems balancing showing and telling? Please let me know in the comments.

Writing a Romantic Drama (Novel) That Will Appeal to Both Sexes

Posted on November 28, 2011 Written by Pinar Tarhan

Sophie_Kinsella_Undomestic_Goddess — This is one of my favorite books, by one of my fav authors. But I doubt guys would read it. Image via media34.onsugar.com

Can it be done? I have nothing against chicklit. In fact, if it is written well, I am a huge fan. Hell, I am a romantic, and I am a chick- and a fun chicklit provides great escapism and some good laughs. But I highly doubt guys actually read any. Maybe some are dragged into the movie theaters if the book was adapted, but then the overwhelming pop soundtrack probably annoys the hell out of them, and minus the hilarity of the author, the comedy is easily lost on them. Well, I know that pop soundtrack definitely destroys the romance for me.

Now, don’t get me wrong. I want to be read by women. They will be the majority of my readers, and I am happy about this. I just don’t want the book totally ignored by guys just because the cover and tagline screams for women only.

OK, let’s get back to the novel. I’ve had this great idea for a romantic drama/comedy. Earlier, I had written about my indecision about the medium and why I’d decided to try writing it as a novel instead of a screenplay.

So, I collected some decent resources about how to write an engaging novel (and how to go about selling it.) And of course being the fan of romantic escapism, I dove into the novels of similar genres and started studying them.

Unfortunately, almost all of them had either been written in first person and in present tense or in third person limited from the girl’s point of view. And therein was my problem: I don’t have one protagonist. I have two. I don’t just want to get into the girl’s head- I also want to get into the guy’s.

And I have some pretty decent subplots which are also highly related to the main plot so I want to get into several heads. Don’t I have lots of books that were told in third person, unlimited? Sure, I do. Unfortunately they are all thrillers!

So what does a girl have to do to write a romantic novel that is not sappy? That isn’t all about the girl?

Yes, I want to be able to flesh out all my characters, and convey what they all actually think-as opposed to just the girl’s interpretation of what they think…I don’t want a pink cover. I love the color pink, it just doesn’t reflect the core.

So guess what I want? I want a novel that is as unisex as the movie Crazy, Stupid, Love. I loved everything about that story, and as much as it had a bromance of a sort, it was just a sweet, hilarious and universal story. And I know how to write one into a screenplay. I don’t have point of view problems there.

The question is, how to write its novel? Well, I’m writing and rewriting scenes from my first draft, and eventually it will all look right. Of course then the actual nightmare of looking for a publisher will start. But hey, let’s worry about one thing at a time, shall we?

What gets in the way of your storytelling?