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This Writer’s Turning 35 on the 7th, and I Come Bearing Gifts!

Posted on December 3, 2019 Written by Pinar Tarhan

 

 

Winter’s come, and 35 is coming! That’s right; I’m turning 35 on the 7th of December!

I still can’t believe it. The point isn’t that 35 is old. Of course, it isn’t. But it is still a lot in terms of lived experience, and you can’t help but be both amazed and freaked out by how fast years have gone. It was certainly slower when I was in high school and college, let me tell you! 🙂

So as my gift to you, I’m giving away my two books Making A Difference (M.A.D.) (affiliate link) and How to Write an Amazing Romance Novel (affiliate link) for my birthday. And if you want to give me a present instead, you can always leave a review.

How it will work:

On the 7th of December, How to Write an Amazing Romance Novel will be free to download on Amazon and Smashwords. I’ll announce it on the blog and social media. If you want to buy it before or after then on Amazon, just click on the links above. If Smashwords is your jam, you can buy it here. Smashwords offers more formats.

Because I uploaded my novel Making A Difference (M.A.D.) through an intermediary publishing company, I can’t make it free on the websites. I can, however, send the format of your choice to you via email. So if you want to read my romcom novel for free, email to me by the 7th of December, asking me for my novel. Mention my birthday. 🙂

My email: pinartarhan@windowslive.com.

Want to check out the novel before then? Here’s the first chapter.

Enjoy!

 

 

CHAPTER 1

 

 

Present Day

Clark and Foster PR

 

“We’ve already saved the world today, mate.” Martin faked a passable English accent as he stood before the desk of his partner Jay. Jay raised a quizzical brow without looking from his computer. “Well, we’ve helped. And Faye will eat us for lunch if we are late,” Martin pointed out, returning to his regular New York accent.

The mention of Faye accelerated Jay’s exit faster than a fire alarm. Martin grinned as Jay grabbed his jacket from his chair and shut down his computer. They left together.

Martin Foster and Jay Clark had been partners for ten years. They’d established Clark & Foster PR right after college, with full blessing and intellectual support from Faye Clark, Jay’s PR ultimate guru grandmother who was a lot better at managing her social life so she let them be workaholics on their own time.

Faye was already at the chic new restaurant, sipping her Cosmopolitan when Martin and Jay arrived two minutes late.

“My boys! Three more minutes, and you’d have to share me with Dave,” she said, winking at them mischievously.

“Hey, Faye!” they greeted her in unison. Nobody was allowed to call her anything other than her first name. Even at seventy-five, she was too robust, young-looking and fun to be called Grams or Mrs. Clark.

Dave, her boyfriend of three years, would agree. Dave was a suave and agile sixty-five-year-old who still prioritized Faye over anything and anyone, despite running several successful skydiving schools. They had met when Faye decided to take up the sport for her seventy-second birthday. Faye’s husband, Jay’s grandfather, had been killed in combat many decades ago.

“Dave wanted to come,” Faye said. “He says hello.”

“Yeah, well, he can meet you for dinner,” Jay said and sat across from Faye. Martin took the chair beside her. Despite enjoying the company of Dave, they needed her all to themselves today. They ordered as soon as the waiter appeared. They couldn’t wait to catch up and pick her brains. They would just have to endure being scolded about their lack of fitness activities first.

“How’s the gym treating you?” she said pointedly, knowing that the gym they built in the basement of their firm was frequented a lot more by their employees.

“I got in a few laps,” Martin boasted while Jay avoided the question altogether.

“Today?” asked Faye.

Martin instantly looked sheepish. “This month,” he admitted.

Faye shook her head in disapproval. Good thing they were as fit and healthy as men could get at thirty-six, a boon of all the humanitarian work they did and supervised on-site both in the USA and around the world.

“I should have a word with Keira. She’s been cutting you too much slack recently.” Keira was their super-efficient office manager as well as the second health police they were exposed to. She got along with Faye fabulously.

“Well, she’s a bit too busy to tease us at the moment,” Martin said, and Faye nodded. There was an urgent topic they were all dying to discuss: Martin’s departure from the firm. So they ordered as soon as the waiter appeared.

Not that Martin was quitting in the traditional sense. He would remain as the CFO and would contribute to as many projects as possible. However, he was stepping down from his office, cutting the hours and would be working mostly from home. This substantial change was due to his fiancée Sally’s loving request. Well, ultimatum really. She wouldn’t marry him otherwise.

The problem was, their titles as CEO and CFO didn’t do much more than show Jay was the management whiz, and Martin was the financial expert. They were the two brains behind all operations. So when Martin had first informed Faye about his decision, she’d joked he’d have to go into witness protection. She would lose it if she were in Jay’s shoes. She was also worried this would irrevocably harm the friendship between her two favorite men.

Luckily, they already had the perfect substitute in mind. Faye had met her on several occasions and witnessed the outcome of her efforts. “I agree about Zoe being the best choice. And she is obviously more fun than you two.”

“There is a very long list of reasons why she’s meant for the job,” Jay concurred.

“She’ll willingly rip your butts from your chairs. Well, at least you Jay. It’s Sally’s duty now to inject life into this one.” Martin and Jay shared a look. Faye was only half-teasing. It was lucky their job required socializing. Any other profession, and both men would have become hermits.

Martin smiled as he thought about Sally. He loved everything about his fiancée, and she would make sure he didn’t slip into his old workaholic ways. But then again, being a workaholic humanitarian was a rightfully acclaimed trait.

“Don’t worry, Faye. I’ll grant Zoe full control of all things social. Oh, and yes, I’ll listen to her when she tells me to move it.” Jay grinned.

“Pleased to hear that, but you haven’t talked to her yet,” Faye pointed out.

“No, but I’m positive she will accept,” Martin said. Well, he was ninety percent positive. The rest was wishful thinking. If she said no, he’d have to stay on. Recruiting the right person was not solely about not letting Jay down. There was no way Jay or Martin would bestow Martin’s office on someone who didn’t inherently understand or value their company.

“She’ll say yes,” assured Jay. Then he added with an ominous grin, “I’ll have to kill Martin otherwise. Or shun him for the next three decades.” They all laughed.

“He means it, you know,” Faye added as she took a delicate sip of her drink.

“I know,” Martin said a little anxiously. “I don’t blame him.”

“I might even have to punish you myself,” Faye said.

Martin sighed. “I’m aware I’m facing double rejection here.”

Given that they had practically lived and breathed PR since their teens (Jay’s passion had started even earlier), nobody could foresee Martin would even consider going part-time. Jay smiled. Faye had every right to be mad if Martin failed to persuade Zoe. And yes, there really was only one right candidate for the job as far as they were concerned.

“She has always wanted to come back to the company,” Jay reasoned. “And she is being offered the ultimate position.”

“That’s a pretty big leap from internship,” Faye said.

It was. But Zoe deserved the credit they gave her. Though she was only their intern five years ago, she had quickly become Faye’s third favorite student. More importantly, both Jay and Martin counted her as a friend.

One of the crucial factors behind their success was employing individuals who thought like them: people who put each other over profit, rapport over ambition, casual over formal. One didn’t resign from Clark and Foster. Some switched to part-time, but no one truly left. So far only Angie Clark, Jay’s younger sister, had been fired, but she had asked for it. She wasn’t meant for regular office hours or writing press releases.

“When are you meeting Zoe?” Faye asked.

“I’m going to her book signing tomorrow morning,” Jay said.

“It’s her boyfriend’s book signing,” Martin corrected.

Jay raised his eyebrows, reaching for his drink. “Well, she got him published, and she made him a bestseller, and she organized the signing. That makes it her book signing equally, if not more.”

“He has a point,” Faye said to Martin. “She got his career off the ground. He had the material, but it’s no use if no one knows about it, is it?”

Jay could always count on Faye for common sense. People tended to overlook the marketing aspect of products. No matter what people thought about Colin, without the right marketing, he wouldn’t have a career, period. If Zoe hadn’t worked day and night to get Colin launched, he’d be just another fish in an ocean filled with millions of competitors.

“Fine. Zoe’s book signing.” Martin knew better than to disagree with Jay on any Zoe-related matter. They didn’t disagree a lot, but Zoe and Jay had always been closer than Martin and Zoe. They connected better. He would go as far as to say they completed each other, but that would piss Jay off. And he didn’t want to give Faye any ideas. So he kept it to himself.

“So go get her, tiger,” Faye said, and they all laughed.

Jay was planning on doing just that. It was either Zoe or Martin was staying on. Jay liked Sally. She was a lovely person, and she made Martin happy. But Jay hadn’t labored, sweated, and bled to build a unique company from scratch and carry it to the top for it to be ruined by her idea of a happy family.

But he wasn’t anxious at all. Just like Faye was his role model, he was Zoe’s. He had a feeling she would jump at the offer.

 

*************************************************************************************************************

Stay tuned for Chapter 2! Tomorrow, I’ll be sharing it on the blog as well!

 

Filed Under: Writing Tagged With: free book, free novel, romantic comedy, writing

Practical Advice About Show and Tell In Writing: One Isn’t Always Evil

Posted on October 31, 2019 Written by Pinar Tarhan

Read up on improving your writing, and you will hit more advice about show vs. tell than cars during rush hour in a big city. So why am I writing about it too?

Because I’ve got something different to say. Brace yourselves. Are you ready? Telling isn’t always bad. Showing isn’t always good.

Still breathing? Still with me? Do you want to come at me with pitchforks, or at least erasers or the delete button?

Hold your horses for a second. And see if you still disagree at the end.

It doesn’t matter if I’m reading fiction or non-fiction. Whether I’m reading an article or a novel, too many people have taken the “Show, Don’t tell” advice to heart.

And the result isn’t as magical and engaging as a lot of writing experts promise.

Why?

Imagine you’re reading a writer who shows and never tells. Not if she can help it. Vivid imagery formed in the reader’s head is better than directly coming out and saying it, right? So let me “show” you, and you tell me when your eyes are starting to droop, and you are stifling more yawns than you care to:

  • Drops were flowing from every pore on Vivian’s skin after her run.
  • The storm shook the wind so violently that most branches didn’t make it.
  • The way Dawson towered over me made me feel like I was looking up at a giant from a fairy tale.
  • The Yankee fans were buying drinks all around, talking over each other and laughing like they hadn’t for a while.
  • I felt like my body was on fire. I stripped down to a tank top and shorts, but I still wanted to throw myself into an ice bath.

I give up. I can’t take it anymore. But you get the idea. Of course, doing the opposite repeatedly is also awful:

  • Vivian sweated way too much.
  • The storm damaged many trees.
  • Dawson was so much taller than me.
  • Yankees won the game, and the fans are happy.
  • It was just really hot.

The idea is to mix and match so that the readers aren’t bored. You don’t want them to be taken away from the story and reminded that they are not really a part of it, that they are just reading.

It’s also important to know when to use which. Here’s a sample I used in my How to Write an Amazing Romance Novel book, which features writing a lot of practical writing advice that can be used for most genres:

  • Older generations considered this to be the mid-life. He was neither a young man nor a middle-aged guy. He wasn’t exactly starting out, but “middle” didn’t ring true as to where he was. People needed to invent a world for him. Mature seemed so finite. Immature days were behind him. Wrinkles had started to play peek-a-boo on his face…
  • He was 35.

I personally prefer the second one, but each to their own. When to pick which also depends on where you are in the story, and where the character is in that given moment. The first one is appropriate if he is feeling a bit lost on the day of his birthday. It is certainly a mistake if he is being chased down the street by a serial killer. Whether you show, tell or do both, your most important mission is not to lose your reader’s attention. They need to remain curious. They need to want to keep the pages turning. Sometimes, falling in love with our words is just as easy as hating them. Try to think like a reader when you edit.

*

How about you? How do you balance show and tell in your writing?

 

Filed Under: Writing Tagged With: show and tell in writing, show vs tell, writing advice, writing tips

How to Save Your Work and Sanity: A Definitive Guide for Writers

Posted on October 25, 2019 Written by Pinar Tarhan

Not me. I play it safe with my documents. 🙂

 

There is a fun meme on the Internet. I don’t remember the exact wording, but it goes something like this:

“I lost a couple of pages in 1998. Now I push the save button every three seconds.”

This is me. I’ve been using the computer since 94 from the age of 10. After computers became household items, teachers didn’t care for our handwriting in middle school. So we had to type. Which is great, since I tend to write like a doctor when I do it fast. But I have lost some of my work.

So when I was writing my How to Write an Amazing Romance Novel book (Amazon affiliate link), I included an entire chapter on saving your work.

My advice stands no matter the length or type of writing work you are working on. You can pick one, but I’d rather you used multiple tools. Most of them are free, and backing up in more than one space increases the odds of never losing another word again.

  1. Click on the save button whenever you remember, even though it does it automatically.

Regardless of how caught up you are in your project, remember to save as much as you can. You never know when your program will have an error, and you’ll lose anywhere from a few sentences to entire pages.

  1. Dropbox

Dropbox is free to use once you create an account, but make sure you jot down which email address you use in case you lose your password.

Free-to-use services can change terms and storage limits, so don’t make this your only back-up.

  1. Google Drive

Currently, Google Drive for personal use gives me 15 GB for free.

  1. Email

What I said for Dropbox also goes for email services and Google Drive. You never know when your beloved email service might charge you, so this shouldn’t be your only backup.

That said, I always email my documents to myself. This has them stored in two different places (the sent and received inboxes), and they hardly take up any storage space.

  1. Print copy

I love the environment, and I love trees. But I need to have my documents printed. I don’t print posts or articles that take a couple of pages. However, I find it impossible to feel relaxed until I print my longer works like screenplays and novels. This makes editing easier and gives me peace of mind.

  1. USB

USBs (Amazon affiliate link) are practical and relatively cheap alternatives to saving your work. They are easy to carry with lots of documents saved on a tiny device. You don’t always need or can afford an external hard drive, which store and cost much more , not to mention their weight adds up.Not something you’d want to carry with you every day.

  1. External Hard Drive

That said, you do need at least one external hard drive (Amazon affiliate link) for your office.

*

What method(s) do you use to save your work?

 

 

 

Filed Under: Writing Tagged With: how to back up your writing, how to save your work, saving their work for writers, ways to back up writing documents, work saving tips for writers

Story Rights 101: What You Need to Know About Story Rights and When to Hold Out for Better Terms

Posted on October 20, 2019 Written by Pinar Tarhan

In an ideal world, writing would just be about writing.

I think even studying craft or marketing can be fun. I had some great days editing or rewriting. But those things are, as tiring as they might be, easier because they are mostly, if not entirely, under my control.

I can’t control how many of my pitches will be accepted, but I can control what sort of stories I will be pitching. I can also work on my pitching frequency.

But as writers, we must also need to deal with something annoying, mediocre, or awesome depending on the terms of our agreement: Our rights.

What are rights?

Rights are essentially how much ownership and control you are giving your client or publisher. Do they only own the story only in North America? Do they own it in both print, or online? Do the rights revert back to you after a certain period of time, or they own it forever? Do you have ownership should the story be turned into a movie/play/novel, or did you (un)knowingly relinquish that?

Types of Rights

– First North American Serial Rights: FNASR

It means as it sounds. You’re selling the rights to be published in North America once. After publication, rights are yours again.

– Other rights based on geography

Now, while you no longer have the FNASR after this, you can still sell it to Europe, Australia, the UK, etc.

– Rights based on medium

You can also offer first electronic rights for your piece to be published online.
It’s not necessary to know what right means what right off the bat as long as you don’t sign anything blindly.

– Rights based on time

Sometimes, you write a post for a site, and the guidelines indicate you can republish wherever after 30 days. The time can change depending on the pub, but it is in your best interest to check when/if ever you’ll be allowed to republish.

– Movie/TV/book/etc. rights

Who holds the rights, should the story be adapted to a movie, a TV show, a book? A friend of mine recently got a six-figures non-fiction deal through an article she wrote for a respectable pub. Had the pub bought all rights, this wouldn’t be possible.
This is a great example of a pub that respects writers. She got paid well, and she still got to make more money for her efforts as she deserved.

One right you might want to avoid relinquishing: If you can hold your ground, you should keep reprint rights. You should also avoid signing over all rights forever.

Yes, some pubs really do ask for it. And funnily enough, it is usually the guest post site that doesn’t pay or a pub that pays very little.

It is fine if you can never publish the piece anywhere for a month, even a year. But selling all rights permanently gets you paid only once.

*

Please note that my post is meant to be an introduction and a reminder without being too confusing.
For a thorough list of rights and their definitions, I recommend reading and bookmarking this fantastic article on Writing World: Rights: What They Mean and Why They’re Important.

How to Decide When to Fight for More

– Prominence of publication
– Payment
– Relationship with editors
– Your attachment level to the story
– Other writer’s experiences: positive and negative

All the points above are meant to help you ask and answer this question: “Is it worth it?”
I’d love to be published by Vanity Fair, for instance. So I could see myself giving up a bit more to obtain that byline. It also depends on the paycheck. You may not (and should not) be ready to give up on too many rights if you are offered a couple of hundred bucks. But what if you are getting more zeroes in your paycheck?

Still, only you can decide if it is worth it.

Early in my career, there was a publication in one of my favorite niches. They published from new and experienced writers alike, as long as your pitch and writing were solid. The only problem was they bough all electronic rights permanently. It was all very good when the site was online. I could show it as my portfolio pieces with the comments and shares along with my byline. Even though I save religiously, I haven’t saved all these pieces when they were online. And now I can’t find some of the drafts.

You live, you learn.

In theory, I could resell the pieces to print magazines. But there are few print magazines dedicated to writing and freelancing. Not all of them accept reprints (even though your article was only published online), and each magazine, even if it is in the same niche, operates differently. Some base editorial calendars on themes, so your idea may not match for months – if at all.

It’s your story, your baby, your career and your livelihood.

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Filed Under: Writing Tagged With: rights basics for writers, rights for writers, writing rights

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