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E-book Review: Crafting Unforgettable Characters by K.M. Weiland

Posted on December 24, 2011 Written by Pinar Tarhan

creating-unforgettable-characters — Cover image via kmweiland.com

Like any writer who is passionately and desperately addicted to the act of writing, I love devouring good resources on any aspect of writing, be it fiction or non-fiction. Author K.M. Weiland, whose blog (Wordplay) I discovered while I was going through WritetoDone’s list of Top 10 Blogs for Writers. I can’t say I fell in l love with all of the blogs while some appealed more to me than the others. Weiland’s blog was one of my favorites.

Here’s what I liked about Weiland’s blog:

It is on blogger, so it goes to prove that you can actually have a well-structured, monetized blog even on a free platform. Yes, a hosted blog has its advantages (but also its disadvantages) and her blog looks informative, concise and it possesses all the right widgets. It actually inspired me to take a second look and revitalize my blogger blogs.

P.S. This is not to say she doesn’t own her domain name and run a website under it. You can check her website at kmweiland.com

She offers articles and video. And with her video, she also offers the video transcript so she appeals to different types of readers at the same time. So you can learn a lot about blogging just hanging around her website and observing.

You can browse through her blog posts and pretty much find good tips on whatever problem you are trying to tackle. Instead of generalizing, she has gone to the trouble of giving pros and cons, and examples of good results. One my favorite posts is Most Common Mistakes Series: Are Your Flashbacks Flashy or Flabby? as I am working on a novel with a great deal of flashbacks. Most writers advice against flashbacks, suggesting that only a selected few can actually pull it off.

Well, that is just picking the easy route and generalizing. And guess what, I got the guidance I needed from Weiland’s post without feeling depressed about my choices for my story.

Here’s what I liked about the e-book

– When she talks about creating unforgettable characters, she doesn’t just talk about novels, but she also gives examples from movies. As a movie fan, this makes the advice more memorable to me.

As a writer, I appreciated the fact that she used different examples from different story media- this makes her writing down-to-hearth, diverse and fun.

– Just because she talked about Jason Bourne, it doesn’t mean she doesn’t quote from William Shakespeare. Or Graham Greene. Or Joyce Carol Oates. You get the idea.

– She has included fun and challenging writing prompts that will help not only with our characters, but our plots and future stories as well.

– She has given examples of truly great characters, and the reasons for why we love and remember them. If you have seen/read the work mentioned, you want to go back to it. If you haven’t, you’ve just found something substantial to study. And it makes you visualize.

– You will find at least a couple of useful tips, regardless of what you write, and how your mind works.

– It includes a comprehensive set of questions for you to ask your character.

– It talks about the relationship between theme and character and it also gives guidelines on picking the characters’ names and jobs.

and more.

If I had paid for this book, I definitely wouldn’t have regretted it. This pdf will stay on my laptop, and will be referred to as I keep creating fiction.

I’m off to interviewing my characters now. How’s your character creation going?

5 Reasons Why I Love Writing for the Web

Posted on December 19, 2011 Written by Pinar Tarhan

Research is easier and cheaper. If you are writing for a publication that is only internet based, all you have to do for research is to go to their website and read their previous posts. This helps when you are pitching, and this helps when you are writing. You need to get an idea of the target audience, the tone of the writing, word count, titles, format, the style, the vocabulary, amount of jargon…etc. You also so what’s been written and what’s not.

It is free, and it is all there. Sure, it is still hard work, but with a little organization, it is managable.

Even if the magazine is both print and online, the online stuff is already on the web.

*If you are looking to write for the print version, you’ll need to see if previous issues are available online. You might need to pay a little fee, but if this is a magazine you truly want to write for, it is worth it. Sometimes you can subscribe to the digital versions of the print issues, and this saves a lot of time waiting for the issues coming through regular mail (this is is of course true for the publications that are not readily available at the local library and/or at nearby bookstores).

The article/post you write doesn’t have to look like a short story. Let’s face it, magazine articles, especially features, are long. You need to be compelling and fun and/or professional for over 2.000 words. It takes a lot of time and effor to write it. I am not saying I am not pitching to magazines. Or I can’t write an article that long. But there’s something really fun about pouring your heart, knowledge (and depending on the publication, your sense of humor) in mostly 500-1500 words.

The publication is likely to pay via PayPal. Which is my favorite method of being paid.

You have lots of options. All you have to do is dig into the search engines with the right keywords, and subscribe to the current list of online markets.

It is relatively easier to get into. My first job was writing for a travel blog in 2009 (which got published later). You just have to keep looking at the right places.

Do you like writing for the web? Do you prefer the print? Or are you a freelancer who combines both media?

Balancing Showing and Telling in Writing & Why “Show, Don’t Tell” Can Be Easier in Screenplays than in Novels

Posted on December 10, 2011 Written by Pinar Tarhan

Writing a novel is like a novel — Novel writing is indeed tricky. Image via 1.bp.blogspot.com

“Show, don’t tell” is a great advice. You-as the writer-need to make the readers see, feel, smell, touch…You want them to understand the characters and be immersed in the story without spelling everything out them. You want to them to see that your character is smart by the things he does or says. You don’t just tell them he is so smart. Or you might, but you also prove your point by showing that he is smart.

“But Show, Don’t Tell” is easier said than done, especially when it comes to writing novels. I can’t tell you how many novels I put down because they tried to tell me a million things, while also showing them to me. And ideally, no matter what kind of writing that you do, you have to balance the two.

There are many screenplays that just tell. Remember the movies where characters talk all the time, and never actually move their butts to take action about anything? The movies that bore you to death? Yeah- the screenwriters just told things, and the director went with it.

But with fun screenplays, the writers do a good job of balancing what to tell and show. But of course the screenplays are written for the screen, and everything will be shown by the actors. If they want to show the progress of a romance, they put on a good song and show us what the actors do together instead of giving us dialogue.

And this is exactly what I do when I write a screenplay. Sure, I sweat over lines and details, but sometimes it is more effective to choose the song with the right lyrics and let the reader/viewer get the message. But I can’t take advantage of music when I’m writing the novel. Well, I can- to motivate myself. But I can’t give my audience a soundtrack to go with it (although that would be pretty neat). I need to sweat over the thoughts, setting, and scenes- all the time. There’s no shortcut. This is a pretty hard thing to do.

Yes, I watch a lot of movies and pay attention to a lot of scenes. I also analyze novels on how much and how they showed and told. I keep my fingers crossed, and keep working on my first draft where I try to entertain, engage and make readers feel. But it is a tough road. Wish me luck.

How about you? Do you write fiction? Do you have problems balancing showing and telling? Please let me know in the comments.

Writing a Romantic Drama (Novel) That Will Appeal to Both Sexes

Posted on November 28, 2011 Written by Pinar Tarhan

Sophie_Kinsella_Undomestic_Goddess — This is one of my favorite books, by one of my fav authors. But I doubt guys would read it. Image via media34.onsugar.com

Can it be done? I have nothing against chicklit. In fact, if it is written well, I am a huge fan. Hell, I am a romantic, and I am a chick- and a fun chicklit provides great escapism and some good laughs. But I highly doubt guys actually read any. Maybe some are dragged into the movie theaters if the book was adapted, but then the overwhelming pop soundtrack probably annoys the hell out of them, and minus the hilarity of the author, the comedy is easily lost on them. Well, I know that pop soundtrack definitely destroys the romance for me.

Now, don’t get me wrong. I want to be read by women. They will be the majority of my readers, and I am happy about this. I just don’t want the book totally ignored by guys just because the cover and tagline screams for women only.

OK, let’s get back to the novel. I’ve had this great idea for a romantic drama/comedy. Earlier, I had written about my indecision about the medium and why I’d decided to try writing it as a novel instead of a screenplay.

So, I collected some decent resources about how to write an engaging novel (and how to go about selling it.) And of course being the fan of romantic escapism, I dove into the novels of similar genres and started studying them.

Unfortunately, almost all of them had either been written in first person and in present tense or in third person limited from the girl’s point of view. And therein was my problem: I don’t have one protagonist. I have two. I don’t just want to get into the girl’s head- I also want to get into the guy’s.

And I have some pretty decent subplots which are also highly related to the main plot so I want to get into several heads. Don’t I have lots of books that were told in third person, unlimited? Sure, I do. Unfortunately they are all thrillers!

So what does a girl have to do to write a romantic novel that is not sappy? That isn’t all about the girl?

Yes, I want to be able to flesh out all my characters, and convey what they all actually think-as opposed to just the girl’s interpretation of what they think…I don’t want a pink cover. I love the color pink, it just doesn’t reflect the core.

So guess what I want? I want a novel that is as unisex as the movie Crazy, Stupid, Love. I loved everything about that story, and as much as it had a bromance of a sort, it was just a sweet, hilarious and universal story. And I know how to write one into a screenplay. I don’t have point of view problems there.

The question is, how to write its novel? Well, I’m writing and rewriting scenes from my first draft, and eventually it will all look right. Of course then the actual nightmare of looking for a publisher will start. But hey, let’s worry about one thing at a time, shall we?

What gets in the way of your storytelling?