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5 Tips on How To Watch Movies According To Your Writing Needs

Posted on August 5, 2017 Written by Pinar Tarhan

movies

A writer has to read a lot. For fun, inspiration, motivation, and to get better at their craft. It also helps with market research.

And a screenwriter doesn’t just have to read a lot; they have to watch a lot too.

But with only 24 hours a day, so many other tasks, possibly a day job and of course your writing, you can’t watch everything.

So how do you choose?

Easy. You prioritize.

What prompted this post was that I’ve over 500 movies on my watchlist on IMDB. If you eliminate the guilty pleasures, there are still over 400 movies to analyze.

And I’m someone who has watched a lot of movies. I’m still so behind, it is crazy.

So let me help you choose what to watch (again).

  • Genre. I try to watch in similar genres to what I’m writing. It helps to see what was made and how it was made. But it also helps flex your creative muscles when you watch stuff outside of your comfort and taste zone. So mix it up whenever you can.

 

  • Box office and budget. Box office result matters, as well as how much the movie cost. Which budget range gets more movies? Low, medium or high? Which budget range tends to make the best profits?

Commercial success is a huge plus. After all, rarely anyone writes hoping not to be watched by a lot of people. But the budget is very important when you are deciding based on box office. I give priority to a 50mil dollar movie that made over 200, rather than a 200-million that made a billion.

Because:

A) I don’t write movies that will cost that much to make. You could put Tom Cruise in it (I know, I wish), and it still wouldn’t cost that much to make. Well, apart from what you’d have to pay him. 🙂

B) Quality movies that were shot with relatively small budgets give me hope, and it teaches me a lot.

You can use boxofficemojo.com to check budget and box office information.

  • Cast. There are a lot of actors whose works I enjoy, and all of these actors are people I’d love to work with. So I want to know what kind of scripts they are attracted to.

Try IMDB for the cast info.

  • Critical acclaim and/or audience reactions. Some movies become cult hits years after they are released. Festival wins/awards and other critical acclaim intrigue me. Why did this one particular movie become so popular, successful, and/or loved?

I wasn’t going to watch Dunkirk since it is not a genre I’m particularly interested in. But the audience reactions are so mixed, now I’m tempted. And one can always learn from director Christopher Nolan (The Dark Knight Trilogy, Interstellar, Memento), so there’s that.

  • Relaxation and entertainment. And many of our best work comes when we are not stressed out. So forget everything above, and choose according to whatever you feel like. You can always change the disc or walk out of the movie theatre if you are unhappy. And even that shows on what/how not to write.

If you need suggestions, feel free to comment with what you are looking for, and I’ll get you started in the right direction.

*

Obviously, not all movies will have all of the qualities you’re looking for. But your time is limited, so you should try to kill as many birds as possible with one stone.

Now, this reminds me…what should I watch tonight? (Comment your suggestions please!)

Filed Under: Fiction Writing, Inspiration and Motivation, screenwriting Tagged With: christopher Nolan, movies, screenwriting, tom cruise, writing

On Happy Endings and Why I Rarely Kill My Characters in my Stories (And Why Black Mirror Isn’t My Kind of Show)

Posted on January 16, 2017 Written by Pinar Tarhan

 

Spoiler Alert. The post contains spoilers about the following movies: (And there are aff. links in the post.)

  • Strange Days (1995)
  • The Broken Circke Breakdown (2012)
  • Braveheart (1995)
  • The Man without a Face (1992)
  • The Crow (1994)

Black Mirror is a great show, make no mistake. It’s engrossing; you can’t take your eyes from it. The quality of production is top-notch, and the stories show how technology often takes our flaws, obsessions or inhumane qualities one step further. So each episode tends to be extremely depressing. Ergo, it is not for me.

 

Strange Days image via Amazon.

I need a bit of light in things that I watch. One of my favorite movies is Strange Days from 1995, which is not a happy movie in general. It takes place in a brutal 1999 where a technology allows people to get high on other people’s experiences. Since you feel everything yourself, it has turned into the most addictive drug. And it’s illegal. Disenchanted ex cop Lenny (Ralph Fiennes) makes a living selling these tapes, and people either go for the overly violent or sexual. He is obsessed with his ex girlfriend, hooker Faith (Juliette Lewis), and his only friend is Mace (Angela Bassett), who is a kickass limo driver that often has to save his sorry ass from trouble. With a Los Angeles that is out of control and a serial killer on the loose who is making his victims watch their own killing, it is a dark movie. But it is also a lot of fun, and there is love, action, hope and friendship. And friendship and love win. I can’t recommend the movie enough. I’ve seen it more times than I can count, and I’m looking forward to seeing it again.

The Broken Circle Breakdown. Image via youtube.

One of my least favorite movies is The Broken Circle Breakdown. A friend of mine fell in love with this movie, and even though I loved some parts of it, it depressed me so badly, I was swearing at the writers at some point. I’m not saying the movie isn’t good. It’s just so emotionally raw that you feel like you have a big hole in your soul, just like the characters do. And I don’t like to feel depressed. I suffered from depression, my dear readers, and I’m not good with characters who don’t try to deal with it. And by deal with it, I mean actual therapy! You can’t just fix yourself after losing your child! And these are freaking musicians from a well-developed country. I’m pretty sure they could have found the means from their government (Belgian!) OK, I’m calm, now. J

They destroy each other with their pain. They grow distant instead of supporting each other. Go ahead and watch the movie, and let me know if you left the movie with joy.

Surprise, surprise, I hate unhappy endings. Sure, you might say, your favorite movie Braveheart has the protagonist dying after being betrayed by his closest ally. Yeah, but he also impregnated a princess that seemed determined to take over the kingdom and that betraying ally decided to win the war in his honor. So sure, he died, but nothing he did was in vain. And while he was alive, what a life that was!

Mel Gibson in The Man without a Face
Mel Gibson in The Man without a Face. Not the movie poster, but you needed to see the face. Image via movie-rouletteç

The Man without a Face showed McCloud (Mel Gibson), whose face is so badly burned that he is referred as a freak, being excluded, judged and blamed, but he turned Norstadt (Nick Stahl) into an achiever. He gave him a father figure. He gave him an excellent mentor, teacher and best friend. And the end? The end is at the very least semi-happy.

Brandon Lee as Eric Draven, The Crow. Image via movieweb.
Brandon Lee as Eric Draven, The Crow. Image via movieweb.

The Crow has Draven (Brandon Lee) take his revenge, make peace with Sarah, die happily to be with his dead love of his life forever. Happy! He was already dead when the movie began, so I wasn’t exactly sad when he went back to his grave.

My point? Don’t give me a love story where the couple loses a kid, and one of them dies. Thank you!

*

Maybe this is why I tend to write romantic comedies and dramas. This is why I rarely kill off a character. There have been no villains in my stories so far. Maybe jackasses and assholes, but that’s about it.

I’ve killed two characters in a total of five screenplays (three finished, two in the works): One was dead practically before the story began; his death was the catalyst for three characters’ actions, and the other was a supporting character whose death, while tragic, was necessary for one character’ growth. And while my characters go through a lot dealing with these deaths, it doesn’t define them. It doesn’t take my story into a direction so bleak that my viewer/reader will get depressed alongside them. Feel sad? Yes. Desolate? No.

It would probably come as no surprise to you that I love reading John Grisham and Lee Child. The main character almost always lives. They might not always get a happy ending, but the stories give me enough adrenaline and serotonin that I don’t mind (a lot).

I’m not saying I won’t ever kill off many characters. I’m not saying I won’t ever write a thriller or action movie. I’ve been dreaming of finding brilliant thriller premises ever since I was a kid. But I haven’t found the right idea. Yet.

*

Here’s the thing: Life is full of pain, death and destruction. It is also filled with love, happiness and hope. I don’t need to be reminded of the first that often. News, politics and our own lives provide enough of that. On the other hand, I don’t mind overdosing on the positive stuff.

How do you like your endings?

 

 

Filed Under: Fiction Writing, Inspiration and Motivation, Writing Tagged With: black mirror, braveheart, happy endings, killing characters in fiction, strange days, the broken circle breakdown, the crow, the man without a face, writing

The One I Love Movie Review: Mixing Sci-fi with Drama and Romance for Writers

Posted on August 31, 2016 Written by Pinar Tarhan

The One I Love movie poster
The One I Love movie poster. Image via richonfilm.com.

The One I Love Movie Plot:

Ethan (Mark Duplass) and Sophie (Elizabeth Moss) try to mend their marriage after Ethan’s cheated, but therapy doesn’t seem to be working. So their therapist (Ted Danson) sends them on a weekend retreat from where other “hopeless” couples like them have returned more in love.

The retreat seems lovely: The pretty house comes with a swimming pool and a guesthouse. But after a short while, Ethan and Sophie seem to experience things together that one of them doesn’t remember having. Which is strange, because we saw them have those experiences. Except the experiences they are not remembering are being lived with an alternate, better version:

Whenever one of them goes to the guesthouse alone, their loved one’s alternate version awaits. The alternate Ethan is cuter, more sensitive, more romantic, funnier. The alternate Sophie is more relaxed, understanding and willing to let bygones be bygones.

While the real, curious Ethan tries to figure out the how and why, Sophie just wants to enjoy the improved Ethan and starts falling for him.

Can Ethan win his wife back from himself and solve the puzzle?

*

The One I Love is a brave and interesting blend of genres with some decent questions for any writer and anyone in a complicated relationship. I’ve recently watched more and more romantic sci-fi films, and the blend improves and enriches storytelling opportunities for both genres.

When you are watching a romantic drama or a romantic comedy, you’ll eventually run out of original (yet realistic) reasons of keeping your couple apart. In-laws, personality clashes, societal differences, unfaithfulness,

financial distress, loss of a child, caring for an elderly parent, drifting apart….

And while The One I Love uses drifting apart and cheating for the couple’s initial problems, the movie becomes much more intriguing as the sci-fi part is introduced. What or who are these alternate versions? How does the therapist know about this place? What happens if one partner falls for the “better” version?

As you try to find out, part of you roots for Ethan and feels sorry for him. And part of you roots for the other Ethan, and feels glad as Ethan gets a taste of what he did as Sophie unknowingly slept with the other Ethan. But since the actual world can have only one Ethan and Sophie, which ones will get out?

I thoroughly enjoyed the film. Admittedly, there are parts in the beginning that feel repetitive and frustrating, but I believe that’s intentional. That’s exactly how Sophie and Ethan are feeling: stuck. They love each other, but the distance and disappointment seem more than they can handle.

And when the alternates are introduced, you try with the original Ethan to figure it out.

This is a well-done, mysterious romantic drama that deserves a watch. It’s also a great example of a low-budget, limited location story that relies on a handful of actors.

Written by Justin Lader and directed by Charlie McDowell.

*

What other terrific romantic/dramatic sci-fi movies can I recommend? Be sure to watch:

  • The Adjustment Bureau starring Matt Damon and Emily Blunt
  • Another Earth starring Brit Marling and William Mapother

*

Have you seen The One I Love? What are your favorite romantic sci-fi films?

Filed Under: Fiction Writing Tagged With: elizabeth moss, justin laser, mark duplass, sci-fi romance, the one I love movie, the one I love movie review, writing fiction

Bad Traits for Characters 2: From Mildly Annoying to Deal-Breaker, From This Makes for a Fine Villain to Let’s Put This Person to Jail Forever

Posted on August 9, 2016 Written by Pinar Tarhan

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This is a sequel to the post where I listed bad personality traits and flaws for your characters in any genre. The idea is to make our protagonists and supporting characters more human, especially if we are writing romances or romantic comedies.

That said, any traits can be combined, taken to the extreme and can be used for any genre and character, including your villains and antagonists. And remember, one person’s bad trait is a good one for another. That’s how we get conflicts, baby!

Let’s roll:

  • trigger-happy cop/agent
  • trigger-happy civilian
  • too flirty: the compulsive flirt who can’t stop even if they are in a committed relationship. It’s a reflex that annoys the hell out of their partner. Some of them will even act on it.
  • creepy/stalkerish
  • with inferiority complex
  • with superiority complex: These characters have inferiority complex, but mask it with narcisism.
  • indecisive about everything
  • petty
  • no common sense
  • entitled
  • constant victim mentality: loves (wrongly) blaming everybody and everything else
  • doesn’t know own limits
  • doesn’t respect others’ limits
  • kissass/ teacher’s pet/boss’ pet
  • stuck-up
  • square
  • not open to new experiences
  • too outdoorsy to the point you can’t plan an indoors event
  • dances all night vs. never, ever dances even on your birthday
  • criticizes anything and everything
  • criticizes you constantly
  • too pessimistic
  • too optimistic
  • too realistic
  • lives in fantasy world , never leaves vs. doesn’t have a fantasy world: no imagination
  • parental issues that prove Freud right
  • possessive/controlling
  • lazy
  • unstable/inconsistent/too unpredictable
  • too predictable
  • cranky
  • too snarky
  • too proud vs. no pride
  • bad drunk/always high/compulsive gambler/chain smoker
  • inarticulate
  • unhelpful
  • emotionally stunted/immature
  • relentless gossip – never says these to the person’s face
  • back-stabber/disloyal
  • only loyalty themselves
  • annoyingly blunt
  • no volume control/rowdy
  • impersonal
  • distant
  • cliché-ridden/tacky
  • paranoid/conspiracy-theorist
  • always anxious without an anxiety disorder
  • sponge/mirror: always resembles whoever they are with: mimics their personality
  • commitmentphobe vs. addicted to relationships/can’t be alone
  • doesn’t respect/give personal space
  • too flaky
  • horrible at grammar/always uses textese
  • glued to TV/smartphone/ipad/computer
  • obnoxious
  • hates traveling
  • ghoster: Instead of breaking up/rejecting properly leaves
  • can’t hold a job because of severe unprofessionalism
  • gaslighter
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Filed Under: Fiction Writing, Inspiration and Motivation Tagged With: bad personality traits for fictional characters, personality trait ideas for fiction writers, writing fiction, writing realistic fiction

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